https://en.m.wikipedia.org/wiki/Poetics_(Aristotle)
ReferencesEdit
- ^ Aristotelis Opera by August Immanuel Bekker (1837).
- ^ Dukore (1974, 31).
- ^ Janko (1987, ix).
- ^ Aristotle Poetics 1447a13 (1987, 1).
- ^ Battin, M. Pabst (1974). “Aristotle’s Definition of Tragedy in the Poetics”. The Journal of Aesthetics and Art Criticism. 33 (2): 155–170. doi:10.2307/429084. ISSN 0021-8529. JSTOR 429084.
- ^ Carlson (1993, 16).
- ^ John Moles, ‘Notes on Aristotle, Poetics 13 and 14,’ The Classical Quarterly 1979 Vol. 29, No. 1 1979, pp. 77–94
- ^ Sheila Murnaghan, “Sucking the Juice without Biting the Rind: Aristotle and Tragic Mimēsis“, New Literary History Autumn 1995 Vol. 26, No. 4, pp. 755–773.
- ^ Garver, Eugene (1994). Aristotle’s Rhetoric: An Art of Character. p. 3. ISBN 0226284247.
- ^ Haskins, Ekaterina V. (2004). Logos and Power in Isocrates and Aristotle. pp. 31ff. ISBN 1570035261.
- ^ Habib, M.A.R. (2005). A History of Literary Criticism and Theory: From Plato to the Present. Wiley-Blackwell. p. 60. ISBN 0-631-23200-1.
- ^ Jump up to:a b c Kennedy, George Alexander; Norton, Glyn P. (1999). The Cambridge History of Literary Criticism. Vol. 3. Cambridge University Press. p. 54. ISBN 0521300088.
- ^ Jump up to:a b Janko (1987, xx).
- ^ Watson, Walter (2015-03-23). The Lost Second Book of Aristotle’s “Poetics”. University of Chicago Press. ISBN 978-0-226-27411-9.
- ^ Janko (1987, xxi).
- ^ The Basic Works of Aristotle. Ed. Richard McKeon Modern Library (2001) – Poetics. Trans. Ingrid Bywater, pp. 1453–87
- ^ Silvia Carli, Poetry is more philosophical than history: Aristotle on mimesis and form, The Review of Metaphysics, December 2010, Vol. 64, No. 2 pp. 303–336, esp. pp. 303–304, 312–313.
- ^ Scott (2018)
- ^ Halliwell, Stephen (1986). Aristotle’s Poetics. p. 270. ISBN 0226313948.
- ^ Gregory Michael Sifakis (2001) Aristotle on the function of tragic poetry p. 50
- ^ Aristotle, Poetics 1448a, English, original Greek
- ^ Northrop Frye (1957). Anatomy of Criticism.
- ^ (1449b25-30) Janko (1987, 7). In Butcher’s translation, this passage reads: “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play, in the form of action, not of narrative; through pity and fear effecting the proper catharsis of these emotions.”
- ^ Scott 2019
- ^ (1449a10-13) Janko (1987, 6). This text is available online in an older translation, in which the same passage reads: “At any rate it originated in improvisation—both tragedy itself and comedy. The one tragedy came from the prelude to the dithyramb and the other comedy from the prelude to the phallic songs which still survive as institutions in many cities.”
- ^ Hardison, 81.
- ^ Ezzaher, Lahcen E. (2013). “Arabic Rhetoric”. In Enos, Theresa (ed.). Encyclopedia of Rhetoric and Composition. pp. 15–16. ISBN 978-1135816063.
- ^ Ezzaher 2013, p. 15.
- ^ Minor, Vernon Hyde (2016). Baroque Visual Rhetoric. University of Toronto Press. p. 13. ISBN 978-1442648791.
- ^ Eco, Umberto (2004). On literature. Harcourt. p. 236. ISBN 9780151008124.
- ^ Destrée (2016); Scott (2018).
How my heart sings 