So you are gone

So you are gone  who once declared your love
For that phantasm conjured in your mind
For onto me you brought down from above
A torment bitter and your words unkind.

Used to  friendship from within your books

You did not understand that I was real
Irritation grew as you did look;
You threw your poisoned arrows at my heel.

What once you loved then you began to hate
If not perfect then intolerable I must be
And then you cursed me with this  sorry fate
Our child was born and him you’ll never see.

Illegitimate and born in desert grey.
I carried him alone from death’s dark way

Without your love, I’m nobody I know.

Without your love, I’m nobody I know.
Our inter-self, dismembered,  broke apart
Give me courage on the journey slow

In good times , we may lose our self in flow
To be self-conscious makes shame rule my heart
Without your love, I’m nobody I know.

Do we have no self when partners die?
Bewildered, can I find the way to start
Give me courage on the journey slow

Where is my best path to discover
The way to mend a self,  holed by grief’s darts?
Without your gaze, I’m nobody I know

Like a ship   strikes rocks deep down below
I risk getting hit without some charts
Give me courage on the journey slow

Will I know myself when new betrothed
To mirrors unfamiliar to me old?
Without your love, I’m nobody I know.
Give me courage in the darkness gross.

About Nick and the Candlestick by Plath

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Photo by Mike Flemming 2017 copyright

Take a look at Mike’s blog

http://home.btconnect.com/mike.flemming/home.htm

 

https://www.poetryfoundation.org/articles/143643/sylvia-plath-nick-and-the-candlestick

 

“In “Nick and the Candlestick,” a woman walks through a dark house toward her sleeping infant, and this ordinary action becomes fused with a metaphoric descent into a ghostly otherworld. Addressed to Plath’s son, Nicholas, the poem belongs to the tradition of poems such as Coleridge’s “Frost at Midnight” and Yeats’s “A Prayer for my Daughter” that directly address a poet’s sleeping infant. “Nick and the Candlestick,” however, teems with evocations of the speaker’s pregnancy and continually merges these images with descriptions of the baby himself. Like the poem’s opening fusion of metaphor and reality, this conflation collapses the boundaries between two things: past and present, memory and experience. In the poem, pregnancy is, itself, a time when two individuals are contained in one strangely altered body. As such, pregnancy, like metaphor itself, becomes emblematic of both the tenuousness of distinctions and of the inevitability of transformation.

As in many her poems, Plath borrows language and imagery from nursery rhymes, harnessing their peculiar mixture of menace and cheerful, linguistic playfulness—a juxtaposition that mirrors the poem’s insistence that seemingly disparate emotions or states of being are often closely entwined. This poem’s title recalls an old rhyme:

Jack be nimble,
Jack be quick,
Jack jump over
The candlestick.

If Jack is not nimble, after all, he risks setting himself on fire. “

I was conceived

I want the pain to leave  and I shan’t grieve
I’ve had enough  today and evermore
For mourning mourning’s hard for the bereaved

I think of God and whether I believe
Although to him or her I’m just one fewer
I want the pain to leave  and I shan’t grieve

I wonder if some new work I’d conceive
For God, I have not  got infinite allure
Is mourning squared too hard for the bereaved?

Maybe I’d do better to perceive.
Does God believe in me, does love endure?
I want the pain to leave  and I shan’t grieve

In  my heart, I wish  peace were achieved
Does Jesus want me,  in sorrow so immured
Yet mourning mourning’s right for the bereaved

For life like this, death is the final door
But when it opens what will we see there?
I want the pain to leave;I shall not grieve
In mourning mourning’s  rites  I was conceived

 

Carnation,orchid ,daffodil and rose.

Late rose

How softly sweetly, gently flowers pose
Carnation,orchid ,daffodil and rose.
Their intricate petals form a shield
Yet bees with striped force shall make them yield.
Appearances, both natural and contrived,
Mixed with the wiles of human nature thrive.
As, knowing not, we pluck the apple rare
And bite its flesh, with teeth we have to bare.
We too deceive the innocent who pass
Not seeing watchers hid behind the glass.
The windows break, the deep earth quakes;
Seized is the maiden, he  her virtue takes.
Beneath the surface, force and fierceness thrive.
What fearsome, burning God enjoys our lives?

The Temple builders estimated pi.

Since arguing is dangerous for our hearts
How can we respond when people start?
We might say, maybe you are right.
Jesus was born on the Isle of Wight.

Or if they say that prayer’s a waste of time.
Say you only read prayers for their rhymes.
Or that you have so much time now you are old
You think you’ll try it as you’re feeling bold

If they say you  lack intelligence
Tell them you’re an imbecile with pence.
My IQ is only 65
But with hard work or luck ,I won the prize

“A survey of new algebra” I won
I’ve has it 50 years and I ain’t done.

I got a doughnut for the second prize
Topology is great  for telling lies

I read all Euclid  when I was a kid
It came in handy in the marriage bed!

I like the cubic forms around your eyes
And tell me, can I guess what’s your bra size?

The Temple builders estimated pi.
Tried to square the circle with their eyes.

A diagram or picture is my style
An  oral   maths test  makes feel surprised

 

 

From despair, we rise to be renewed

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The grieving one who never looks outside
Suffers like a prisoner in a cell
Yet they have some freedom to decide
To grieve, yet view our holy world as well.

To turn the eyes back to the lost and dead.
Is what we all may do  in painful  times
But to this natural world, we must be wed;
And under suffering, draw a heavy line.

From despair, we rise to be renewed;
To see our friends and make our hearts feel glad.
And  look behind  us with a gentler view
See the joy and love and signs of kindness had.

In the sea of grief, we’ll swim not drown,
And cast away  lead weights which pull us down.

To forgive, repent and let go of such grief

Shall I give home to grievance and  to woe

And cultivate my hatred with my tears?

Shall I remember  carefully each blow,

And add this sorrow to my anxious fear?



I  thought by hating you I would have peace;

And surely I had reason without doubt.

Yet rumination  gave me no release.

For wisdom and compassion, it did flout



I remembered our  past love and  our shared  words

I gave them freedom in my anguished heart.

I did it for your sake, yet then occurred

A sweetness, joy and gladness in all parts.



To  forgive, repent and  let go of such grief

Helps us more than hatred’s legal briefs