Extract:
In “Living and Thinking About It: Two Perspectives on Life,” Kahneman and co-author Jason Riis wrote, “An individual’s life could be described—at impractical length—as a string of moments. A common estimate is that each of these moments of psychological present may last up to three seconds, suggesting that people experience some 20 000 moments in a waking day, and upwards of 500 million moments in a 70-year life.” That would mean that a stint in a Kusama mirror room would be about 10 moments, while the eclipse’s totality consisted of a little over 40—so, relatively few to choose from as a “peak,” when you think about it. But these brief bursts of wonder formed the backbone to the story of my year.
February: Infinity Mirrors
I happened to be in Washington, D.C. in February when the Kusama exhibit opened at the Hirshhorn Museum—its world premiere. Nearly 160,000 people visited the D.C. installation, according to the Smithsonian Institution, before it moved on to dazzle Seattle and then Los Angeles. It was an unusually warm winter day, and I was full of energy and curiosity.

What happens in a timed infinity room? Imagine stepping into a large box with mirrored panels inside and a bunch of other objects, and then the door closes. Because of the mirror-reflecting-mirror effect, it appears as though you are surrounded by infinitely many of those things—multicolored lights or phallic-shaped protrusions with red spots, for example.
When I entered the special exhibit area in D.C., a museum docent explained the lines for rooms were up to an hour long (in practice, it was more like 30 to 45 minutes). Each person had about 30 seconds per room—and those of us who came alone shared these visions with strangers. I had not blocked out enough time for so many queues, so I saw four of the six main installations. Like everyone else addicted to validation on social media, I unfortunately spent a lot of the time taking pictures to post afterward—just as I would later do during the eclipse.
The mirrored room in which I felt I truly lost myself, and did not want to leave, was called Aftermath of Obliteration and Eternity. This room is totally dark save for glowing orange-yellow lanterns, flickering and seemingly hanging everywhere—even above and below you. I shared the room with an older couple, but we were all silent in our awe. The sense of peace and wonder in that room was potent enough, even in the 30 seconds or so, that I still remember it many months later.
“Kusama’s goal, in this project, can be described as creating otherwise inaccessible experiences of the boundless and huge. It’s not infinite, of course, because your body necessarily blocks the infinite regress at some point, and because of limitations of your visual system—but it’s a much larger experience of expansive repetition than can be readily created in any other way,” Landy says. “The solar eclipse, of course, does the same thing, both by focusing your attention on the sun and orbital paths of the Earth and moon, and also simply by refreshing your attention on the more mundane hugeness of the daytime sky.”
