Dresses no more

Safety lies in my grey cowl neck dress
It has no openings except for the head.
Grey is not a colour to impress
I shan’t wear grey  qowns when I go to bed.

The cowl neck covers me in decent form
A pure old maiden I shall now become
But now i see the fabric’s thin ,not warm
It clings to me,my peace of mind’s undone.

I see I must return to trousers black
And tunics that are thick and long  and warm
My venture into dress had pushed me back
And made me shyer than a lamb just shorn.

Oh,women waste no time in dresses  fine
Cover up and   you will look divine

More about poetry and mathematics

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https://poetrywithmathematics.blogspot.co.uk/2014/12/fractals-poems-and-photos.html

 

 

”     Marc Frantz and Annalisa Crannell have written about mathematics and art (Viewpoints:  Mathematical Perspectives and Fractal Geometry in Art: Princeton University Press, 2011) and now Frantz (who is both a mathematician and an artist, a painter) has collaborated with a poet — Robin Walthery Allen —  to develop a collection entitled Dance of Eye and Mind (not yet published).  I am honored to present a poem-photo pair from this exquisite collection.

What is in us that must reach the top,
that longs to look down upon the world as if a god?
Don’t we know that in this infinite space
the same rocks at the seashore know the secret of each peak?

Underneath the surface are caverns, caves
soaring cathedrals the earth has made.
What arias does she sing to dripping water, bats
and other seekers of wisdom?
What prayers echo
while the ceilings reach slowly to the floor?

The open window houses everything:
a cat lounging in the sunlight, the call of neighbors,
the breath of possibility.

 

(poetry by Robin Walthery Allen)”

 

Fractals and poetry

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A Fractal Poem

    A fractal is an object that displays self-similarity — roughly, this means that the parts have the same shape as the whole — as in the following diagram which shows successive stages in the development of the “box fractal” (from Wolfram MathWorld).

Michigan poet Jack Ridl and I share an alma mater (Pennsylvania’s Westminster College) and we recently connected when I found mathematical ideas in the poems in his collection Broken Symmetry  (Wayne State University Press, 2006); from that collection, here is “Fractals” — offering us a poetic version of self-similar structure:

       Fractals    by Jack Ridl

On this autumn afternoon, the light
falls across the last sentence in a letter,
just before the last movement of Brahms’
Fourth Symphony, a recording made more
than 20 years ago, the time when we were
looking for a house to rehabilitate, maybe
       take out a wall and let the kitchen open
up into the living room, put in a window
so the morning light could fall across
the bed my wife’s grandmother made
the canopy for, the bed she slept in for
forty years. She was a doctor looking
for a town close enough that we can
drive past where she practiced, imagine
her picking up her violin when there
was time between patients, settle
it under her chin and play, looking
out the window into the same street we
drive down on our way to visit our
daughter in her studio. She creates
dresses, stitches turning into lines,
fabric turning into sculpture hanging
under her skylight, the dresses’ threads
knotted, their edges frayed. When
we knock on her door, she welcomes
us with cups of steaming tea, turns
down the jazz and kisses us. She
is happy in this light and later she
will ask us how we like our new place,
laugh when we begin to tell her all
our plans for tearing out the kitchen,
knocking out a wall so we can see
deep into the wood, along the creek
that twists itself around a pile of rocks
and through the trees. She makes us
dinner as we listen to Miles Davis,
“Birth of the Cool”—I always wonder
why he ended with a vocal, one
that sounds recorded twenty years
before. Its notes are sleepy,
the voices like smoke. At home
the dog and cats are sleeping. We
forgot to leave a light on for them,
but the radio is playing, and when we
get there, they will want to go outside.
The dog will pause for a scratch behind
his ears, his tail wagging as the cats
jump off the couch, hurry out the door,
disappear into the dark.
We’ll tune the radio to a symphony,
watch the moon harvesting
its light through the back window.

I  discovered Ridl’s collection while doing some background digging for other recent postings on fractals  —  16 December 2014 and 18 November 2014.  Fractals also are found in these earlier posts: 10 April 2014, 17 October 2010, and 14 May 2010.

https://poetrywithmathematics.blogspot.co.uk/2014/12/a-fractal-poem.html

 

For if you touch me, you will meet your end.

This dress called “wrap” has failed to enwrap me.
It  has  a mere two ties to hold its place.
The fashion page advice has  entrapped me
I might as well go bare or wear pure lace.

As I walk the skirt reveals my thighs
Magnificent in size and  perfect shape
Yet I did not wish to show my body  and its size
I need to buy a silken over-cape

For assuming that some buttons  or spare cloth
Would hold the fabric in to cover all
I failed to try it on and now feel wrath
I’m freezing and the men will not play ball.

Beware of these wrap dresses ,my dear friends.
For if you touch me, you will meet your end.

Her best and worst are both revealed at once.

Her wrap dress did not cover her large knees
Swollen with arthritis and   long prayers.
And yet she wears this dress the  men to please.
As it reveals her  bosom  beauteous , fair.

The  camel colour suited ill her face.
But the dress was in the sale for half its price
She would not buy a top sky blue with lace,
As with   the  gods of fortune she  would  dice.

A longer length would be a better choice
But she has no tall mirror in  her home
And she does not believe her clothes have voice
As round the parties hunting men she roams

Her best and worst are both revealed at once.
Let  none who hunt  look at  this dame askance

 

 

And by these images our hearts are stirred

The street seems lonely,empty, bleak.
Deep silence,  like a cloud, envelops us.
And if I met a person, would they speak?
Or merely through their posture let thoughts leak?

We give ourselves away by how we talk
And by our facial muscles ,loose or tight.
Some folk like a  stealthy cane  may stalk.
Some folk emit a gentle,glowing light.

Most communication is not made in words
But clothing,speech and  movement each can talk
And by these images  our hearts are  stirred
Supreme importance hangs on how we walk!

So if I answer you in hastiness,
Be sure deep in my heart I wish to  bless

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After the funeral was over

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Rebus?

cat-glasses-face-squint-hd-free-animals-wallpaperˈriːbəs/
noun
noun: rebus; plural noun: rebuses
  1. a puzzle in which words are represented by combinations of pictures and individual letters; for instance, apex might be represented by a picture of an ape followed by a letter X.
    • historical
      an ornamental device associated with a person to whose name it punningly alludes.
Origin
early 17th century: from French rébus, from Latin rebus, ablative plural of res ‘thing’.