The consolation of philosophy by W S Merwin

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https://www.poetryfoundation.org/poetrymagazine/poems/detail/41124

Thank you but
not just at the moment
I know you will say
I have said that before
I know you have been
there all along somewhere
in another time zone
I studied once
those beautiful instructions
when I was young and
far from here
they seemed distant then
they seem distant now
from everything I remember
I hope they stayed with you
when the noose started to tighten
and you could say no more
and after wisdom
and the days of iron
the eyes started from your head
I know the words
must have been set down
partly for yourself
unjustly condemned after
a good life
I know the design
of the world is beyond
our comprehension
thank you
but grief is selfish and in
the present when
the stars do not seem to move
I was not listening
I know it is not
sensible to expect
fortune to grant her
gifts forever
I know

Let’s celebrate with kisses sweet.

 

Words float like water in a stream,
Reflected gently by sunbeams.
This stream flows swiftly to my heart
Through these words your love is caught.

The space inside my heart is clear,
Your love will find  a good home here.
Your words are treasures in my night,
And in the dark, they glow with light.

Oh,let me read your notes of bliss,
And seal them with a loving kiss.
I hope this stream will always go
Where living waters softly flow.

For love is kind, and love is true.
Connections form from me to you.
And love creates an open heart,
From which all other feelings start.

Yet love is free, and does not bind.
Love is glad,and not unkind.
Lf my love displeases you,
You must find a lover new.

I have life inside my heart
Which will sustain me if we part.
I shall wish you happiness
I know my grief will one day pass.

But for today,let’s laugh and play.
Let’s make love inside the hay.
It’s summer and we like the heat.
Let’s celebrate with kisses sweet.

Nature, though deceptive, cannot lie.

The sun  took down the grey cloaks  from the  sky.
Those clouds deprived  us of her brilliant light
This light will please my spirit and my eye

The  branches of the  trees gleam from on high
And on the shrubs the leaves shine  in my sight
The sun dismissed the grey cloaks of the  sky.

Nature, though deceptive, cannot lie.
She ,like us, swings from  the dark to bright
Her light has pleased my spirit and my eye.

An artist paints, her picture poetry.
Through her work, the hidden world delights
For sun dismissed the grey clouds from the  sky.

A sculptor plays with  marble  till it  cries
The truth we need to feel and then to write
Creation   raises spirits and   our eyes.

 

Yet even in the darkness,poets write
Maybe  like the past, by candle light
The sun   has dried the  grey clouds in the  sky.
New light  caresses  spirits prone to sigh.

 

Elemental as a storm

whireisland

 

A force  far deeper than our anger

Elemental as a storm,

Annihilating all before it.

Terror does our rage inform.

This ancient self feels  we are threatened

Runs to  rise and to protect;

Most murderous when  we’re most alarmed

Rage  an enemy detects.

Over-riding other feelings,

Depriving us of  wits to think

Like a nuclear  tsunami

Disconnecting human links.

Reddened vision,focused,narrowed

Eyes locked onto enemy.

All the wider context losing,
Wiping out  good memories

Like a mother tiger fighting,

With the cornered eagle’s force

We will destroy  what we think other

Without   feeling our remorse.

Nature gave this to protect us;

Yet  our  perception's often wrong.

Once the flood of feeling takes us

All reflections seem too long

Later, if we see our victims,

Will we know when we have erred?

For  hate deceives ourselves and others

When our inmost terror’s  bared.

How can we step back and ponder,

See life from a wider view?

How can we become less blinded,

See our world and see it new?

Succumb  not to final despond.

Succumb not to your despair.

Often there are some who see.

Often  some preserve their care.

Tempered by reflective wisdom

Rage  can calm  when understood.

When we find another being

Who can withstand   this  Tiber's flood.

Now the sun has set, the sky is mauve

The sun looked angry when the dawn was due;
Its red more fiery,deepening scarlet hue.
The birds were singing though my heart loved Hugh.
All in all, I don’t know what to do.

The clouds betrayed the sun by turning grey.
Well, in  winter, who on earth makes hay?
The sun shone brighter as the earth it flayed
I can sell  my soul for money on Ebay.

The sun then disappeared to plot
How it can give us acne  like a shot.
And make our skin peel  like potatoes hot
All in all, I think I’ll tee a pot.

Now the sun has set, the sky is mauve
Tall trees stand  gravely in their gentle grove.
Where lovers meet and discuss when to rove
As for me, what woman is betrothed?

The sun looked calmer as  the day faded
It is now more  deep sea green than it is red
The birds are singing , seems they’re  feeling glad.
As for me,well better wed than dead!

That’s why I said three.

I remember that wool coat she wore even in summer;
Blue with ridges of black running horizontally.
We walked  along the  bright beach at Rhyl
It was Sunday morning;I has a new missal
I think I lost it with its gold edged pages that morning
I was happy to be alone with her
Just left primary school.
Hardly ever was alone with her to talk.
She seemed almost happy ;three years  of widow-hood
Had almost knocked her down.
She seemed for a few minutes
The woman she used to be.
When you lose one parent, you lose three.
The one left is not the one she used to be
And their conjunction had another being
That’s why I said three.

It is myself to whom I speak in sonnet form

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Trapped in  cultivated  ways ,we may  forget
That usefulness can also be a trap.
Am I the one who never makes a bet?
Am I  the one who always has the map?

 

We are no automata, we are flesh.
And even older brains can be rewired
Maybe we need to do what may seem rash
Light   ourselves more brilliant mental fires.

 

Reluctance seems  to  cage us with our fear.
Though ,despite our wishes, we each age and die.
Time goes and  the end will soon be here
But  is it ever too late  for  one try?

 

It is myself to whom I speak in sonnet form
Anxiety is  fierce  until we learn.

Force unwithstood

A  wonderful word is coercion.
On it ,I cast no aspersions.
But to coerce is not good,
Force unwithstood
Never grew much but nasturtiums.

 

Sometimes our will is a force,
But virtue can’t come just by choice.
Like a flower from a seed
Our virtues we breed
As we listen for that still,little voice.

In school, we were given an impression
That knowledge implies good decisions;
So we learned   virtues and vice
The wrong and  the  nice
The existence of hell as a prison.

 

Believing that terror is a good,
They frightened us with their cold blood
In the Confessional we shivered;
And the wood round us quivered
They’d have tortured us more if they could.

So this education itself was a vice.
The nuns and the priests hit us twice
Once in the class
And again during Mass
Where we wondered if the Wafer was Christ.

And having this question in mind
Was a sin of a serious kind
We sinned against Faith
That delicate Wraith
So no personal truths could we find

I have found God in the depths
Where with kindness he surrounds those who’ve wept
But he makes no demands
As his Love understands
To the paths of our own truths we’ve kept

Why is free verse so popular?

 

narcissus2017-2

https://www.poets.org/poetsorg/text/free-verse-poets-glossary

 

“Free verse is a form of nonmetrical writing that takes pleasure in a various and emergent verbal music. “As regarding rhythm,” Ezra Pound writes in “A Retrospect” (1918): “to compose in the sequence of the musical phrase, not in sequence of a metronome.” Free verse is often inspired by the cadence—the natural rhythm, the inner tune—of spoken language. It pos­sesses visual form and uses the graphic line to differentiate itself from prose. “The words are more poised than in prose,” Louis MacNeice states in Modern Poetry (1938); “they are not only, like the words in typical prose, contributory to the total effect, but are to be attended to, in passing, for their own sake.” The dream of free verse: an originary verbal music for every poem. Jorge Luis Borges explains: “Beyond its rhythm, the typographical appearance of free verse informs the reader that what lies in store for him is not informa­tion or reasoning but emotion.””

Rhythm, meter, movement are our guides

Actors are the poets of the real.
They mould the air with bodily appeal
The body is the soul  through which we feel
Imprisoned bodies kill the soul ideal.

Dancers fuse with music stretching air.
They push and pull the freedoms that  live there
They play with Newton’s laws as they change gear
The bodies bend and flow with utter zeal.

Singers touch us deeply to the core.
As we listen with  our shrunken hearts  so sore
We  will cry out, oh, more,oh, more , yes, more.
As deep into our inner self ,they gore.

In every aspect of our human lives
Rhythm, meter, movement are our guides

But what use are they in loving?

What was so wrong about asking
About your absence from this world
And trying to grab you back.

holding onto your coat tail?

Eternity’s long enough already
We don’t need your vapour trails.
Was it a wicked thing to do,
As you floated so far away,
To reach out to touch you once more?
I admit I never knew you kept score.
When I beat you at chess so long ago
Were you already packing bags
to throw out the door?
I knew it was the real thing
But some men never do.
You have your expectations
And your tests and rules
But we never learned those
In our higher maths class schools.
We learned rigour and icy vision
Definition and precision.
We learned explanation  and revision
But what use are they in loving
I didn’t know how to navigate your soul 
You were off anyhow.
The orchestra stopped playing
When they saw the gap.
You can’t fly  away forever
But I do be leaving you.
In  such circumstances
What else does a woman like me do?
You can smile and squeeze your eyes tight
Suck in those cheeks and hide your love.
What’s coming after you’s an eagle or a crow
Not a dove…it’s black I know
When you toss it all away then
Seems like it’s long past time
and emotion to call it a day.
Come again…..you must be crazy
Love is clear to me  now like the face of a newborn daisy

In the late winter, snails and worms, ever slower is my theme

 

Winter weather, frost and sky,

See white geese and silver stars.

Two cooing doves with collars red,

Watching out for seeded bread.

From the sun  ,low in the sky,

Light falls slantwise to my eyes.

Trees bud though invisible,

Nothing that my eyes can see.

Bulbs shoot up from dark cold soil

Where worms and beetles quietly toil.

We take for granted air and sky,

Love the birds we see fly by

But who loves the worms and slugs

And those creatures we call bugs.

So in our dark cold winter time,

Praise these creatures in the grime.

Without these worms, our crops would die.

No cornfields for us to lie

Midst the poppies bright red flowers

Revelling in soft summery bowers.

Praise the snails and bees and ants

For these and spiders, let’s give thanks.

As the lightness needs the dark,

From darkness come life-giving sparks.

Enrich darkness with our gifts

Look not always to the swift.

Slow and patient like these worms,

Nature’s lowness is my theme

Nor how to count infinity by hand.

Uncanny is a space which I avoid
I do not wish to meet with spirits  vile.
Though with some men,it is true that I have toyed.
I  dropped them all and sane was I the while.

Yet when I met your eyes so dark  and strange
A force more strong than my own pulled me in.
A   premonition that my life would surely change,
Before I knew your double,your dark twin.

In dreams and  in my nightmares he will come
To capture me and take me  to his land.
I do not know what choice to make of man
Nor how to count infinity by hand.

The double is an augury of death
Yet in this space, uncanny is a path

How to write bad poetry or not!

 

 

wp_20161103_09_44_01_pro-2-22http://about-poetry.livejournal.com/146136.html

“Mismatched motifs. The form clashes with the topic, the rhythm jangles against the theme, the metaphors are wildly inappropriate, etc.

Misused techniques. Poorly chosen allusions, mixed metaphors, overused similes, awkward alliteration — these are examples of valid techniques gone wrong.

Cliched imagery. Avoid it like the plague! Off with its head!

ZOMG-EMO-DRAMA!!! Bad poetry exaggerates, whines, mopes, capers, and generally makes an embarrassing spectacle of itself. Good poetry delivers emotion softly, like snowfall — or slyly, like a stiletto. If you can see it coming, it’s probably not done right.”

I have wandered off the sacred track

I have wandered down a long and ill made track.
Down footpaths that seemed intriguing,  yet were  stark
I have wandered,  wondering at my lack.

 

I wandered, crossed the dry earth and its cracks
I   passed through corn fields hidden in the dark
I have wandered off  the preplanned track

I am like a gypsy with no pack
In the sky ,I hear the little lark
I have wandered, blaming my ill luck

I am lost and never shall get back
Despite the sun, I feel  the thump of dark
I have wandered off the  sacred  track

My heavy  thoughts have often  turned near  black;
Lured the dog which torments with its bark.
I have trembled as the bullets snack.

Were we flooded, I could take the Ark
Were I braver, I’d with generals talk.
I have wandered off the map and track
I have walked unknowing  what we lack

Is it apt to search for Love without

 

Is it apt to search for Love  without

When we need to connect with our own   soul

For surely we will need to study doubt

Before we can become more real,more whole

 

The   conflict  which  disturbs  is filled with pain

  And so we  are  reluctant to  go there

  But if in hope we try again  again

We may find  a way which we can bear

 

    Willingness is potent as our tool

Sullenness will ruin all our hopes

And so it’s plain to all except a fool

There is no advantage in long  mopes

 

With patience  and acceptance we  are real

And in our hearts,  a new  peace  is revealed

Reasons to read poems

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Wordsmith Wonders: 9 Reasons to Read Poems

 

“2. Poetry can change how you see the world
A great poem, like a great novel or even a great movie, can expose you to parts of the world that you didn’t know existed and that you haven’t witnessed first hand. They can transport you to another reality and open your eyes, reminding you that the world is a big, interesting place full of opportunities and adventures.”

Ode to a lightbulb

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Oh, light bulb foreseen by our God
Save us all from darkness’ rod.
You are our Saviour as foretold,
In prophecy by ancients bold.
We will worship you at night
When sunken is the sun so bright.
We’ll watch TV and Kindle fire
No more to play shall we aspire.
We’ll wear ourselves out watching screens,
As from a can we eat baked beans
We’ll send for pizzas with our phones
With which we never feel alone.
We might talk to our partner dear
Though to text is easier.
We see the neon street lights gleam
Where once we saw the moon’s cold beams
And in bed ,we read our books
With a kindle or a nook
We put beneath out pillows fair
i phones which we long to hear.
Can one have too much new light?
From technology some take flight
For gone are seasons, and their fruit
As our computer we reboot.
New potatoes all year round
Avocados once quite rare
Now are seem ‘most everywhere.
Melons, grapes and fresh green peas
As the birds sing, life’s a breeze.
Oh light bulbs, fluorescent tubes
Electric candle, light is cubed.
We thank you for extended days
Maybe we’ll find time for prayers.
God is great in mystery
No light bulb can help us see.
In silence, darkness, meditate
Wonder what will be our fate.
As retribution for our wrong
Satan stabs us with his prongs
He needs no more light in hell
The fiery furnace cooks as well.

The chosen words invented as we loved

Those little  words invented as we loved
Now have no other speaker but myself.
Lost, unique, the man so well beloved,
Those little words sprang from our deep, sweet love-
In my own speech, these words no longer live
I  cannot use our words,  that loving wealth.
The chosen  words  invented as we loved
Now have no other  listener but myself.

The script is like a music score

 

My old blue fountain pen allows
The ink across the page to flow
Like wet paint from an artist’s brush,
And words come in a rush.
Enchanting through the hand which writes,
Bewitched with art, beauty alights.
The script is like a music score
Through which we pass as through a door.
Imagination’s home.

As , mysteriously.to you, to me,
The spirits of our hearts are tamed,
By rhythms of pen, of brush, of mind.
They enter vision quite unplanned,
Like moths to flutter softly round
Fire joined heart and hand.

The pen slows down, the hand goes still
And just as dreams at daybreak will,
They shrink, they disappear, they’re gone.
I almost caught that one.

In deep now, turn off that bright light


 

Autumn 2013 008IMG_20130820_072103 (2)

I’m in deep now,never been this deep before
The world’s hollow like a shell and I’m out its door.
In so deep,the ocean has its own startled floor.
I’m down,down.down,never been so dark,so more

I can’t rightly tell how I got where I am
I think I had an accident,fell over,then I swam.
Sometimes it’s a loss, betimes it’s a man.
I guess I only do it 'cos I  want to know if I can.

I don’t know if the joy is worth the pain.
Would I choose to relive it,if I was born again?
The deep joy is the amazing gain.
But the sorrow is  damn sad,let’s admit it plain.

I’m in deep and it’s over my head.
What was I thinking of,when I fell  out of that bed?
I look up and  the sea’s so  turquoise like that mist is red
When we get good and mad and wish some loon was dead.

At first, it was all just black,black pain
But from the bottom of the  well,I looked up with awed love again.
That’s when I recalled,feelings are wise and sane.
Joy is much greater when we’re in the deep,deep zone.

I dunno if I’m  ever comin’ out.
We can’t control it,ain’t that what life’s all about?
I’ll never love with innocence again,nor not feel doubt.
But I’m no teapot and the devil ain’t got my spout.

I’m swimming and the ocean’s so mysteriously bright
Down here we don’t have no day nor no night
Fish nudge me with  big grins  and teeth white;
Sea flowers fondle me and whisper,turn off that light!

What does poetry do for us?

The novelist Richard Ford differed from the poets in his take: “The question ‘Why poetry?’ isn’t asking what makes poetry unique among art forms; poetry may indeed share its origins with other forms of privileged utterance. A somewhat more interesting question would be: “What is the nature of experience, and especially the experience of using language, that calls poetic utterance into existence? What is there about experience that’s unutterable?” You can’t generalize very usefully about poetry; you can’t reduce its nature down to a kernel that underlies all its various incarnations. I guess my internal conversation suggests that if you can’t successfully answer the question of “Why poetry?,” can’t reduce it in the way I think you can’t, then maybe that’s the strongest evidence that poetry’s doing its job; it’s creating an essential need and then satisfying it.”

The sensuous world contains both word and fire.

Spoken words are part of a complex,
Of gesture, touch, expression, and desire.
They are not cut off separate, nor perplexed.
The sensuous world contains both word and fire.

To  concentrate   communion to mere   tongue,
To ignore  all  expression  but our words
Seems  to be a folly and a wrong
For all happens cannot but be heard

Our hands, our eyes, our movement  create shapes
With speech, we learn  to give shape  proper form;
And as a  love in his bed may grope,
His heart seeks for the words which work as charms

There is no split between our worlds and minds
Their conjunction  gifts appropriate signs

The expression of the sensed conveys delight.

There’s nothing on this page until I write
A word and then another word  and more:
The sentences that bring me my delight

No sense is quite as needed as our sight
Moral blindness is by most deplored.
There’s infinity upon this page I write

I  have pondered in the early  winter nights,
Whether there are senses we ignore.
The expression of the sensed conveys delight.

Could there be, unseen,  a different light
We might see by if we sought its door?
There’s  blankness on this page until I write

The possible encounter,  through a rite,
With God whom we and angels must adore.
My senses then  might bring me grace and light

In the soul, oh, deep within that core,
Who shall, patient, find the unknown door?
There’s an opening upon this page l write.
Can other words, on other tongues, invite?

What art has twisted branches to this form?

What art has twisted branches to this form?
The beauty  makes my eye feel satisfied.
This  power affects us  all  like a wild storm.

The  beauty speaks  like  hidden poems
Important  to see nature dignified
What art has wrestled branches   to this form?

I take my camera out as I sit warm
By this stone wall my eye is gratified
The  power is like a  god in his fierce storm

What would I do if gods bent  these, my arms?
So human lovers could not in them lie.
What mystery  twisted branches   to this form?

What  is  the power by which the trees are calmed?
Where is that being  in whom I can abide?
The  power affects  my  heart like a sweet balm.

With my infant hunger gratified,
I see  the world with no fierce greed allied.
Whose  the  heart  that twisted    all to  form?
This art affects   green  nature  like   named storms.

I shall be renewed

When seven years come round again
My self is liquified.
My skin becomes a holding shell
For my old self has died.
As I dissolve I feel great fear
And yet I trust my soul.
So in the sea I lose my form,
And with the waves I roll.
I am at one with all the world,
And yet I am nothing.
My inner waters rise and fall
What will the high tide bring?
After my drowning I shall rise
And I shall be renewed.
I must submit to that strange Life
With which I am imbued.
I am not mistress of myself,
I am this moment’s flower.
In the deep waters I must trust
To take me to the shore.
Oh hang my arms with grasses green
And dissolve me in your sea.
Thus when the time comes for rebirth
Regenerated I shall be.

Symbols in literature

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http://www.thehypertexts.com/Best%20Symbols%20in%20Poetry%20and%20Literature.htm
Excerpts from “More Poems”
by A. E. Housman

XXIII

Crossing alone the nighted ferry
With the one coin for fee,
Whom, on the wharf of Lethe waiting,
Count you to find? Not me.

The brisk fond lackey to fetch and carry,
The true, sick-hearted slave,
Expect him not in the just city
And free land of the grave.

Charon’s ferry symbolizes the transition from life to death, or dying. The “one coin” is the obulus, which symbolizes death: the ultimate cost of mortal life. The river Lethe symbolizes forgetfulness, oblivion and concealment, as the dead are concealed from the living, and vice versa. The grave is also symbolic of death. In this poem the river Styx symbolizes death; although it is not explicitly named, we can infer it. In Greek mythology, Charon’s ferry carried the newly dead from the land of the living across the River Styx to Hades, the realm of the dead. It may interest Christians to know that Hades was not “hell,” as Hades incorporated heavenly regions such as the Elysian Fields and the Blessed Isles. Y

 
Sonnet 147
by William Shakespeare

My love is as a fever, longing still [1]
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest.
My thoughts and my discourse as madmen’s are, [11]
At random from the truth vainly expressed,
For I have sworn thee fair, and thought thee bright,
Who art as black as Hell, as dark as night. [14]

This is one of Shakespeare’s famous “Dark Lady” sonnets. It employs simile, a type of metaphor in which comparisons are introduced by “like” or “as” (please refer to lines one, eleven and fourteen).

When thinking hurts

Young_Lady_Old_Woman_Illusion

My title has two meanings.One is that sometimes we have to think about a painful event or a person who has hurt us.Or even some past events…I recall pain when  I was told about Hitler and Stalin

On the other hand some of us  use thinking in words as a way of blocking painful emotions.whilst this  may work for a time,it may give  a lot of trouble when we need to deal with pain.Essentially we do not wish to “know” the truth in the full sense… we deceive ourselves and maybe others too

http://www.psychologytoday.com/blog/fulfillment-any-age/201110/the-essential-guide-defense-mechanisms

William Blake wrote this poem

Joy and woe are woven fine,

A clothing for the soul divine,

Under every grief and pine

Runs a joy with silken twine.

It is right it should be so;

Man was made for joy and woe;

And when this we rightly know,

Through the world we safely go.

I’ve been reading Sylvia Plath recently.I see that after her husband left her she went into a frenzy of activity.She had two very young children.was often ill with flu but she wrote all her most famous poems at this time;then she moved to London antd socialised a lot to prove she was not just a deserted wife.After this she became more, ill,there was a severe winter….then she crashed into the depths…I feel that  her frenzied writing was a way of not admitting her grief… and she got worn out and decided death was better.
Some of us who are quite cerebral are not in touch with  our bodies.We don’t feel that knife in the heart,the tears unshed,the anger that threatens… and eventually this cam lead to problems.,sometimes flu sometimes a breakdown,sometimes a broken marriage.and also the thinking can take on a life of its own so  it keeps us awake at night… and the feelings can come out in nightmares.So thinking can  be a curse.We all need defences at times but too much cuts us of from our own lives.And brooding and ruminating are very damaging to the mind and soul.Thinking is not wisdom

 

abstract war on terror.

A lovely poem that i am fond of

O sweet spontaneous

by: e.e. cummings (1894-1962)

sweet spontaneous

earth how often have

the

doting

fingers of

prurient philosophers pinched

and

poked

thee

, has the naughty thumb

of science prodded

thy

beauty, how

often have religions taken

thee upon their scraggy knees

squeezing and

buffeting thee that thou mightest conceive

gods

(but

true

to the incomparable

couch of death thy

rhythmic

lover

thou answerest

them only with

spring)

Yet tigers spring and care not when we scream

Was this Earth designed for life or death,

When wired up cheetahs surf the desert sands

Seeking prey to stave off hunger’s wrath?

This hunt’s repeated over all our lands.

And in deep seas of green we find the curse

Of being pursuer or of becoming prey.

Blood in water looks to me much worse

Yet God requires that we should kneel and pray

Rare flowers can snatch and eat the striped bee

Programmed by genes to fertilize and feed.

I grieve a violent  God exacts a fee.

Loves to see his creatures as they bleed.

Nature soothes our souls when life’s all green.

Yet tigers spring and care not when we scream