Quality or quantity by Dana Gioia

“In art, of course, everyone agrees that quality and not quantity matters. Some authors survive on the basis of a single unforgettable poem–Edmund Waller’s “Go, Lovely Rose,” for example, or Edwin Markham’s “The Man With the Hoe,” which was made famous by being reprinted in hundreds of newspapers–an unthinkable occurrence today. But bureaucracies, by their very nature, have difficulty measuring something as intangible as literary quality. When institutions evaluate creative artists for employment or promotion, they still must find some seemingly objective means to do so. As the critic Bruce Bawer has observed,

A poem is, after all, a fragile thing, and its intrinsic worth or lack thereof, is a frighteningly subjective consideration; but fellowship grants, degrees, appointments, and publications are objective facts. They are quantifiable; they can be listed on a resume.

Poets serious about making careers in institutions understand that the criteria for success are primarily quantitative. They must publish as much as possible as quickly as possible. The slow maturation of genuine creativity looks like laziness to a committee. Wallace Stevens was forty-three when his first book appeared. Robert Frost was thirty-nine. Today these sluggards would be unemployable.”