Grammer
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Grammer don’t really exist
Language was oral at first
The spoken is necessity
The written, a monstrosity
As we learn at a poetry fest.
The poet Alan Shapiro
https://www.poetryfoundation.org/poems-and-poets/poets/detail/alan-r-shapiro
“Poet-critic J.D. McClatchy observed in a review of Shapiro’s Dead, Alive and Busy(2000), “Mr. Shapiro is a shrewd and sympathetic moralist. He never trivializes his subjects with high-minded flourishes or stylistic gimmicks.” Shapiro’s later collections address the loss of his two siblings to cancer, the aging of his parents, and the strains on a marriage. In describing the domestic details and loss portrayed in Shapiro’s Tantalus in Love (2005), poet Joshua Clover commented, “Such tightly framed tales of domesticity offer a sense of control parallel to Shapiro’s formal facility, reducing and clarifying the poem’s field of action in defense against an abysmal multiplicity of things.”
In his memoirs The Last Happy Occasion (1997), nominated for a National Book Critics Circle award, and Vigil (1997), Shapiro has written about the death of his sister and the role that poetry has played in his life. Shapiro is also the author of a collection of essays on poetry, In Praise of the Impure: Poetry and the Ethical Imagination: Essays, 1980–1991 (1993).”
How poetry can change lives
“So, at the most basic level, poetry is important because it makes us think, it opens us up to wonder and the sometimes astonishing possibilities of language. It is, in its subtle yet powerful way, a discipline for re-engaging with a world we take too much for granted.
When the purveyors of bottom-line thinking call a mountain or a lake a “natural resource”, something to be merely exploited and used up, poetry reminds us that lakes and mountains are more than items on a spreadsheet; when a dictatorship imprisons and tortures its citizens, people write poems because the rhythms of poetry and the way it uses language to celebrate and to honour, rather than to denigrate and abuse, is akin to the rhythms and attentiveness of justice. Central to this attentiveness is the key ingredient of poetry, the metaphor, which Hannah Arendt defined as “the means by which the oneness of the world is poetically brought about”. It’s that power to bring things together, to unify experience as “the music of what happens”, that the best poetry achieves.
Is Stan politically correct?
Grammar- Commonly Misused
Source: Grammar- Commonly Misused
Selfie sticks…don’t bother


I saw your soul in your transparent face.
The sparrows sing as if to draw me to
The present moment’s gravity and grace
Our contemplation of life’s nature new
What other attitude is worthwhile now
That I no longer see your loving face?
The sparrows sing as if to greet me too
Eden is still here, we miss the clues
We miss the ardent touch, the lost embrace
Our contemplation of the world renews
On my face, the tears are jeweled dew
In my body, I feel well enclosed
The sparrows sing as if to greet me too
Now the blackbird sings as if on cue
Inside my swollen heart, I feel its grace
Contemplation of life’s nature new
I saw your soul in your transparent face.
And crisscrossed lines from struggle left their trace
The sparrows sing as if to draw us to
The contemplation of the wildness true,
Love itself
Unless there is a space where we can doubt
Fashion plays with symbols unconcealed
The trench coat, Breton sweater, leather boots.
But sometimes “fantasy” is too near ” real”
We cannot play nor allow art to reveal
Unless there is a space where we can doubt
Fashion plays with symbols unconcealed
We must not just with demons do a deal
For we also need the angels who’re about.
Nowadays , our “fantasies” blur ” real”
The biker jacket’s modish in appeal.
The leather has its Fascistic clout
Fashion plays with symbols unconcealed
If we cannot waken, dreams will fool,
As on our monstrous war horses, we mount
I feel it now : our “fantasies” blur ” real”
We never can have everything we want
So we learn that other peoples count
Fashion plays with symbols unconcealed
But fantasising may lay waste to all
l
Which of us desires to dress for war?
My polyester trench coat looks real swell
But inside it, I feel as hot as hell.
And when the storm hit, I found out
It is no raincoat, I have no more doubts.
Which of us desires to dress for war
This is what the trench coat was made for.
British soldiers on the battlefields
Died in mud locked trenches for what yield?
Do we want to know the Middle East
Was divided by the conquerors at their feast
France and Britain split the old Empire
We see from that the rise of Herr Hitler.
The war to end all wars is on stage yet.
Go hang these trench coats round the scapegoat’s neck
On war by Ezra Pound
https://ticer-swim.blogspot.co.uk/search/label/war
E.P. ODE POUR L’ELECTION DE SON SEPULCHRE (1920) Ezra Pound
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The “age demanded” chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the “sculpture” of rhyme.
Ezra Pound in 1913
IV
These fought in any case,
and some believing,
pro domo, in any case. . .
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later . . .
some in fear, learning love of slaughter;
Died some, pro patria,
non “dulce” non “et decor”. . .
walked eye-deep in hell
believing in old men’s lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the days,
hysterias, trench confessions,
laughter out of dead bellies.
V
There died a myriad,
and of the best, among them,
For an old bitch gone in the teeth,
For a botched civilization,
Charm, smiling at the good mouth,
Quick eyes gone under earth’s lid,
For two gross of broken statues,
For a few thousand battered book
Keats’ letters 2

http://ticer-swim.blogspot.co.uk/2011/09/john-keats-1795-1821-here-lies-one.html
“When I am in a room with People if I ever am free from speculating on creations of my own brain, then not myself goes home to myself: but the identity of every one in the room begins so to press upon me that I am in a very little time annihilated not only among Men; it would be the same in a Nursery of children: I know not whether I make myself wholly understood: I hope enough so to let you see that no despondence is to be placed on what I said that day.”
The most read post in June

There was a young lady from Ealing
Who slept upside down on the ceiling
When she was asked how
She said I don’t know
I stood on my head and I’m reeling
There was a young lady from Ealing
Who wept upside down on the ceiling
When she was asked why
She said , well I cry
But gravity keeps interfering.
There was a young lady from Ealing
Who kept cats of all kinds on the ceiling
When they asked her if
It was where she’d like to live
She said, I’m bereft of desire and need healing
Keats’ letters

‘Moods of my own Mind’: Keats, melancholy, and mental health
On mindfulness: “The only means of strengthening one’s intellect is to make up one’s mind about nothing — to let the mind be a thoroughfare for all thoughts.”
To George & Georiana Keats 1819
Negative Capability
“… – I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason – Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.”

“Do you not see how necessary a World of Pains and troubles is to school an Intelligence and make it a Soul? A Place where the heart must feel and suffer in a thousand diverse ways!”
To George & Georgiana Keats, May 1819.
Copy contacts to SIM for a non smart Nokia phone
Precognition by Margaret Atwood

Drawing by my sister
https://www.poeticous.com/margaret-atwood/precognition
Precognition
Living backwards means only
I must suffer everything twice.
Those picnics were already loss:
with the dragonflies and the clear streams halfway.
What good did it do me to know
how far along you would come with me
and when you would return?
By yourself, to a life you call daily.
You did not consider me a soul
but a landscape, not even one
I recognize as mine, but foreign
and rich in curios:
an egg of blue marble,
a dried pod,
a clay goddess you picked up at a stall
somewhere among the dun and dust-green
hills and the bronze-hot
sun and the odd shadows,
not knowing what would be protection,
or even the need for it then.
I wake in the early dawn and there is the roadway
shattered, and the glass and the blood,
from an intersection that has happened
already, though I can’t say when.
Simply that it will happen.
What could I tell you now that would keep you
safe or warn you?
What good would it do?
Live and be happy.
I would rather cut myself loose
from time, shave off my hair
and stand at a crossroads
with a wooden bowl, throwing
myself on the dubious mercy
of the present, which is innocent
and forgetful and hits the eye bare
and without words and without even love
than do this mourning over.
Why do people dress as if they are going camping?

Posted in error
“Of course, there may be one other reason these clothes fit our current cultural mood. It’s an overreaching journalistic impulse to attribute every micro-phenomenon to post-election malaise, but the rise of gorpcore — which exalts activities that, in their environmental consciousness, have always been considered hippie-dippie or tree-hugging — is a political act. “It’s crunchy,” says Schlossman. “And in this political climate, these brands we’re talking about stand for good. I’ve not necessarily been someone to vote with his dollar, but it’s the perfect marriage of ideas.” Mother Nature has been how liberals — one famously — have been licking their wounds, and celebrating it is a rebuke of the president’s planned $1.5 billion cutfrom the Interior Department’s budget. To wear Patagonia is to stand in solidarity with the brand’s environmental advocacy. It’s no accident that Black Lives Matter activist DeRay McKesson has worn the same Patagonia vest for nearly a decade. Sporting brands that give voice to your value system is its own form of silent protest.
Ideas in fashion and food and design and travel don’t occur in isolation. You can trace the philosophical throughline — that maybe nature holds some secret to self-improvement or emotional deliverance — in the rise of grain bowls and Moon Dust, the comforting, naturalistic principles of hygge and lagom, and the Ranch. Gorpcore’s not fashion for the 1 in 7 billion, nor is it fashion for the one percent — it’s live-good, do-good, feel-good fashion for the ones who care just a little too much.”
Flowers
The soft flower shows us love and beauty fine
To give us comfort with its grace divine
The new dictator is me

Black people living in Kensington will be painted white to make the rich white people forget black folk exist and need homes.Poor whites will be given cardboard coats painted like mink.I know there’s heat wave but they have to compromise.
Meanwhile in Tottenham white people can be painted black free of charge in the garage off Bruce Grove where the witch lives with the dentist.
People who want to protest can be painted in black and white strips and given zebra to ride on.But not if they have red hair.
People with red hair have to move to Scotland or Northern Ireland.Or they could swim to the Irish Republic and ask for asylum.
[If you do this change your name to O’Smith,McJones or O’Noah etc before you leave]
All people who are light beige, yellow, green or light to dark brown can stay where they are.Do not put shoe polish or stage makeup on your face.It rains alot and it will ruin your clothes.Still that’s nothing to do with me,is it?
I’m only your new Dictator as foretold by Plato.Jesus wept!
Well,I like it
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As wildflowers grow on bomb sites and on graves
My own photo
As wildflowers grow on bomb sites and on graves
We can love, despite our grieving hearts
Think not of the time nor of the place
Sorrow , opened up, creates new space.
Despite the pain that comes in sudden darts
So wildflowers grow on bomb sites and on graves
A flower seed needs little but its grace
Will help the heart that sees alas blank charts
Thinks not of time, just where there may be space
So an Eden may begin, embraced
Although our feet stand on this ground apart
For wildflowers grow on bomb sites and on graves
In love, the splits will heal at their own pace
And hatred held, contained will breed no shark
Think of any time or any place
We look out today at visions stark
Yet forever sings the heavenly skylark
As wildflowers grow on bomb sites and on graves
There is no “right time” no “perfect place”
Saturday,my eye
Saturday , another film of war
Shall I read my manly palm instead?
I lost my glasses reading tripe on Blair
I see an actress easy on the eye
I’d like to cuddle up with her in bed
Saturday , another film of war
If I want to marry I must pay
To buy a house before we are quite dead
I lost my glasses reading tripe ,who cares?
I never read that book about things Grey
I hate to see pornography ill bred
Saturday , another film of war
In my youth we had such fantasies
About the kisses and the marriage bed
I lost my glasses seeking ecstasy.
Now I can see any act or deed
Faster than an Eskimo can read
Saturday , another film of war
I lost my glasses,I need social care
Do you blunderstand?

Alice in Sunderland
Malice I understand
Alice in Blunderland
All is in, understand?
Walrus tinned under sand.
Sallies by guns unmanned.
Call us in Thunder Band
Phone is in Alice’s hand
iPhone in political scams
Trellis blows down in wind.
Four letter words gave me wind.
Before litter, we all must be banned.
Bellicose man in grandstand
I wish I could do a handstand.
Where was that Alice he stunned?
Algebra made me a man
God’s not on a map

I bought a brand new A to Z.
I bought a map of Wales.
I roamed around the whole day long
Despite the snow and gales.
I bought the Ordnance Survey too
of all of the UK
I looked at maps on Amazon
and even on E Bay
I studied charts of Greenland
And Africa and France
I talked to expert geographers
Who looked at me askance.
Borneo or Burma?
Malaysia or Spain?
Where does Father Brown say..
I must read his books again
But giving up, I came back home
And lay down for a nap
Suddenly it came to me!
God’s not on a map.
We must look to find out what it is we lack
There is a serious earthquake in our land
From cyber crime to fire or wild attacks
The tremor ‘s greater than we understand
No more may we keep our thick heads in the sand
We must look to find out what it is we lack
There is a serious earthquake in our land
No fairy queen can wave a magic wand
If the outlook’s really nighttime black
The tremor ‘s greater than we understand
We assume the government has plans
But now we see they’re vying to be sacked
There is a serious earthquake in our land
The uncertain note of terror’s underlined.
Theresa May pretends she’s voted back
The tremor ‘s greater than we understand
Where shall we observe the first bleak crack,
For it may lie way off the beaten track?
There is a serious earthquake in our land
The tremor ‘s greater than we understand
Poetry and the subconscious

Extract
Charles Simic: “Whatever the eventual subject of the poem is, it emerges in the process of fumbling around.”
You get the point. Fumbling around. Feeling out. Following the trail. Listening for. To quote Robert Creeley, “I think the presumption that one knows what one is writing is pretty naïve, that it’s all planned and everything goes to some specific point of purpose or even understanding.” In other words, poetry isn’t an act of creation, it’s an act of pursuit. It starts with an itch—an image or a phrase, an idea stuck in your head. A poet feels a gust of wind, throws up a sail, and discovers where it leads.
This is why I prefer to use “subconscious,” rather than unconscious. The term subconscious appeared in Freud’s earlier works, but quickly grow out of favor for its ambiguity, yet I don’t think what we’re talking about can be described without ambiguity. Moreover, I feel like the word “unconscious” is inaccurate—we’re never completely unaware of these deeper thoughts that lurk below the surface of our understanding. We’re not randomly plunging our own depths like a trawler at sea casting its net; we’re fly-fishermen throwing our lines into the eddies where intuition and experience tell us a bass might rise. What many call “inspiration” is simply the soft pang of truth from below, a blip on the sonar telling us where to look.
If anything other than subconscious, it might be the preconscious impulse we’re chasing—not in the psychological sense of memories that we haven’t yet accessed—I mean preconscious in the truly precognitive sense—not necessarily seeing the future, but finding some harbinger of a future mental state. Poets press at certain material because they sense a broader understanding, a surprise, hidden beneath it.C
Serious art that is funny
![Albatros_DAP_Intaglio [1024x768]](https://words-cat.com/wp-content/uploads/2017/06/albatros_dap_intaglio-1024x768.jpg?w=1100)
https://www.poets.org/poetsorg/text/serious-art-thats-funny-humor-poetry
Carolyn Forché, someone who has never been accused of being a funny poet, has said “irony, paradox, surrealism . . . might well be both the answer and a restatement of [Theodor] Adorno’s often quoted and difficult contention that to write poetry after Auschwitz is barbaric.” But what did the philosopher and critic Adorno mean by this fatuous statement? No poetry? Or just a very, very serious and earnest poetry? Because, let’s face it–earnestness is almost always bad art. Good art makes us think; it has more questions than answers. Often, but not always, satire does this too. But earnestness almost never does this–that’s not its job. Earnestness is comforting. It wants to hug us. And we want to be hugged sometimes. But sometimes we want to laugh while poking holes in self-righteousness and oppression, whether it be literal political oppression or oppression of a quieter sort – cultural and aesthetic oppression. Irony and satire are such a good antidote to oppression because oppression needs to be earnest (or at least look earnest) in order to be feared by those it seeks to cow. Oppression cannot work alongside irony because it believes in its own righteousness and a monolithic concept of truth that must be asserted to the oppressed with a straight face. Irony and satire are the tools by which the oppressed get to make fun of the oppressors without the oppressors getting it.
Paranoia
The sun has gone but heavy heat remains
The trees wave feebly in the subtle breeze
And paranoia over us still reigns
Sullen on a diet of men’s brains
With fire and indignation the world screams
The sun has gone but heavy heat remains
The population by sharp fear restrained
The fires of hell lit up the world of blame
And paranoia over us still reigns
As the leaders blame the poor again
Do they wish to kill the weak in flames?
The sun has gone but heavy heat remains
No need to imitate the Nazis and their trains
Austerity, a nightmare not a dream
So paranoia over us still reigns
The poor are weak and seen just as a drain
Those who work may eat yet danger looms
The sun has gone but heavy heat remains
The victims lie, just burning ash entombed
The firefighters work daily, search resumed
The sun has gone but heavy heat remains
And paranoia over us still reigns
Authors of the last Millenium

Thomas Tardy
Thomas Bawdy
George Hill He Hott
Jane Frosting
Jane Testing
Plane Basting
Sylvia Wrath
Ted Bemused
Ted Used.
Philip Larking
Kingsley Hey-Miss.
William Wordsmith
Samuel Callsmudge
Matthew Mac-Hainault
Matthew O’Hour-gnarled
Simone de Bove-Wire
Jean Paul Martyr.
Princess Iambic- pentameter
Thomas Core.
Thomas Done-Well
Never bite
Do not knock on my back door tonight
Your face in dimness evokes dreams denied.
I only want to see you in daylight
I saw you on the town hall steps that night
Your makeup was too lush, though well applied
Do not block up both my ears tonight
I find your touch gives me a rare delight
I said I hate you but, in truth, I lied
I only want to see you in moonlight
I have heard the signs and welcome any spite
My goldfish ate my cat and then it died
Do not kick in my front door when tight
My father told me men must never bite
When they lie in bed with their new bride
I rarely want to see you in daylight
The evidence is here that God has fled
He wanted us to think that he was dead
Do not snog alone with me tonight
I only have to touch you to ignite.




