What to eat

blur breakfast close up dairy product
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Macaroni Bees
Breaded Wasps

Buried Eggs with Rice
Brawn Kissotto
Dickens’ Pate
Keys Lorraine and Cremated Slices
Egg Valid with  Dressing
Roast Leaf and Yorkshire Padding with  Roasted Donators and Doubts
Toast Lamb and Tinted Horse

Desserts

Mustard Tarts with Single Dream
Lemon Twice
Strawberry Eyes

Apple Stumblings with Birds “Custard
Manila Ice Steamed
Sponge  with Fairy Liquid
Jam Hearts with artificial ices
Mince Hearts solo
Any heart scream

All served with pot of tea and plate of lead and stutter

 Drinks

Freak Coffee served all day
Water in river
Beer by cans
Fancy Tea extra

Use our free bathroom.You will need it

What is the Overton Window?

crowd of people
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https://www.newstatesman.com/politics/2015/04/what-overton-window

 

Extract

The Overton window is a political theory that refers to the range (or window) of policies that the public will accept.

The idea is that any policy falling outside the Overton window is out of step with public opinion and the current political climate, and formulated to try and shift the Overton window in a different direction, or to expand it to be wider.

You may dream the meaning  in the lines

Do not read  a poem   anytime
Do not suffer anguish and despair
Looking for the meaning  in the rhymes

Think  about it as you see its lines
Recite it to  the mirror,do your hair
Do not read  a poem   anytime

If you can’t resist then do be kind
As you  are with jeans  that never flare
Is there subtle meaning  in the rhymes?

Every  tongue is different in its binds
Translation  is a guesstimate deferred
Do not read  a poem  in clock time

If you cannot act, you’ll have to mime
To show the public you are no nightmare
Especially  on  the meaning  in the rhymes?

 

Be a proper reader if you dare
This is not the end of the affair
Do not read  a poem   at night time
You may dream the meaning  in the lines

Poetry and social change

img_20190311_170607https://www.poetryfoundation.org/harriet/2016/05/on-poetry-social-change-claudia-rankine-discusses-adrienne-rich-at-new-yorker

Extract:

Midway through a cold and snowy semester in the Berkshires, I read for the first time James Baldwin’s “The Fire Next Time,” from 1962, and two collections by Rich, her 1969 “Leaflets” and her 1971–1972 “Diving into the Wreck.” In Baldwin’s text I underlined the following:

Most people guard and keep; they suppose that it is they themselves and what they identify with themselves that they are guarding and keeping, whereas what they are actually guarding and keeping is their system of reality and what they assume themselves to be. One can give nothing whatever without giving oneself—that is to say, risking oneself.

Rich’s interrogation of the “guarding” of systems was the subject of everything she wrote in the years leading up to my introduction to her work. “Leaflets,” “Diving into the Wreck,” and “The Dream of a Common Language,” from 1978, were all examples of this, as were her other works, all the way to her final poems, in 2012. And though I did not have the critic Helen Vendler’s experience upon encountering Rich—“Four years after she published her first book, I read it in almost disbelieving wonder; someone my age was writing down my life. . . . Here was a poet who seemed, by a miracle, a twin: I had not known till then how much I had wanted a contemporary and a woman as a speaking voice of life”—I was immediately drawn to Rich’s interest in what echoes past the silences in a life that wasn’t necessarily my life.

In my copy of Rich’s essay “When We Dead Awaken,” the faded yellow highlighter still remains recognizable on pages after more than thirty years: “Both the victimization and the anger experienced by women are real, and have real sources, everywhere in the environment, built into society, language, the structures of thought.” As a nineteen-year-old, I read in Rich and Baldwin a twinned dissatisfaction with systems invested in a single, dominant, oppressive narrative. My initial understanding of feminism and racism came from these two writers in the same weeks and months.

Read more at the New Yorker.

Menu de your

img_20190129_115035Starters

Chicken’s tongue on crumpet
Jellied wheels.
Tomato and chess salad
Eggs  on sliced rubber genes
Halibut’s eyes on  white sliced bread plus buttons

 

Mains

Wild pigeon with black worried sauce
Roast dead hen with drum roll
Molluscs reviled with spasms of sliced red onion
Vegetarian rather  chilly,offers open.
Cow’s heels a la mock turtle with potato scrumplings
Hot dark brown wolf pudding with  flesh tripe

Puddings

Lemon mice
Errings with thick yellow cream
Chocolate black-mange
Oranges with bitter peel and cream  teeth
Apple and Bloomsbury Tarts with  ices.
Treacle hearts.
Steamed sponges with soap
Icy marmalade cake plus  my wife baked