Parody

P1000346
parody
ˈparədi/
noun
noun: parody; plural noun: parodies
  1. 1.
    an imitation of the style of a particular writer, artist, or genre with deliberate exaggeration for comic effect.
    “the film is a parody of the horror genre”
verb
verb: parody; 3rd person present: parodies; past tense: parodied; past participle: parodied; gerund or present participle: parodying
  1. 1.
    produce a humorously exaggerated imitation of (a writer, artist, or genre).
    “his speciality was parodying schoolgirl fiction”
Origin
late 16th century: via late Latin from Greek parōidia ‘burlesque poem’, from para- ‘beside’ (expressing alteration) + ōidē ‘ode’.

Where is the boundary?

If there is bad poetry   and good poetry how about grey poetry?

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The poem was not a diamond  nor a pearl
Nor was it even moonstone  they surmised
But  in the weekly news, it got a mention
Which gained the author looks of great surprise.

The postman and the milkman lingered longer
The  dustmen were all eager to commend
They rescued other writing from recycling
They told the author it was in demand.

Or if not now, then maybe in the future;
Like Ted Hughes, we ought not to destroy.
The driver’s  done an OU course in writing
Everything from Pontefract to Troy.

The postman wrote us verses  every Xmas
The milkman gave us readings from our palms.
The dustmen read the Times  if it was folded
If it was creased, then they were up in arms.

Save letters, lists and diaries when handwritten;
Even the old  table where you write
Perhaps your  golden pen from Haifa
And the Esterbrook which knew your daily plight.

I don’t know where Sylvia’s stuff was quartered
But now it fills  great rooms  with gravitas
Innumerable academics sift it
Has all her suffering brought her down to this?

So build a shed and make it dry in winter
Get heavy duty bags from Shangri La
Every single sentence you have written
Put it there before you cross the Bar

In your Will,do mention your grey  verses
Leave all to the University of Rome
If they    don’t really  want  to shelve them
Make a university  of your home.

 

Get used to how deserted spouses gasp

The art of living   is  to  stay relaxed.
The art of living’s not to keep or grasp.
Ignore the signals of the phone and facts

 

Ignore the peeling paper and the cracks.
Ignore the buzzing of the angry wasps
The art of living   is  to  stay relaxed

Don’t bother  how the  other folk  react
Do not  extend your  hand, in case it’s clasped
Ignore the signals of the phone and facts

Keep your suitcase  in the  porch and  packed.
Get used to how deserted spouses gasp
The art of living   is  to  stay relaxed

Remember  phones  de facto can be tracked
Remember all you’re breaking is   their  trust
Ignore the signals of the phone, and facts

Don’t let  the ten commandments keep you fixed
Facades, in the end, all come to dust
The art of living   is  to  stay relaxed
Ignore the signals of the phone, for I will fax

 

 

 

A tyrant’s spell makes ruin seem like fate

Writing poems is easy,in the end
For they exist already in the tongue.
We  remove excess, and inappropriate,  mend.
Hence what is left cannot be written wrong.

The longer and more complex is the poem
The easier for the poet to  sculpt to shape
But brief and succinct verses  hide, or roam.
Empty is my paper and I  mope.

Or are words  a  mere random heap  of stones
A poet ,  a builder of a drystone wall?
Skeleton,  or heap of  beggars’ bones
Awaiting  flesh , for which desire they call?

Maybe a hidden body in the woods,
A hand protrudes and dogs run all a-bark
Lazarus waiting  for  his unique   God
Who alone  provides the  living spark

Frankenstein or Saviour, who can tell?
Construction  may obscure  and then  too late;
Both  good and evil can  be written well.
A tyrant’s spell  makes ruin   seem like fate

One Art by Elizabeth Bishop



The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

Our fascination for bad poetry

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https://www.poetryfoundation.org/features/articles/detail/69448

 

I suppose,moreover,it’s never easy to tell
To coin a phrase,what is new and great
From what is bad
And it’s darned uncomfortable sitting astride this fence
I suppose it has to be nice,full of cliches and perhaps rhyming
And rarely scanning;
Or it’s about sort of hackneyed type of stories
With nothing new  under the sun in them
And  with  a few too many adverbs, prepositions and no nouns like names
Just to get the ball rolling,here’s my point of view
Would you like it read out at your third wedding?
Or your one and only funeral
Don’t keep me guessing.I like a quick response
I am not easily bored but when I am bored it’s easy to stay that way,kinda thing.
When I feel paralysed and stare at the  things piled on the sofa
And wonder how to sort them out..
Ah,well,many a mickle makes a muckle
And lions roar while cheetahs chuckle
Bite your own knuckle.Oh,fuckle.