They are like some other beings altogether the cry more animal than human The wordless pathos, musical,disturbing They have gone back to a troubled and unimagined infancy but no mother responds to such a nightmare of overgrown voice boxes the cry of a rabbit wolf in a trap it’s the shriek in the wall cry of a baby in a psychotic nightmare. Nicholas haunts Sylvia in the evocative memory of Ariel And so it will end for you and me Trapped in this old body with its old brain on and on they cry help me, help me,help me nurse nurse I want the manager I want the manager I don’t want to be here I don’t want to be here I want to go home Help me we don’t listen because they have dementia what they say has no meaning. that’s our defence I am the norm You are abnormal but you smiled when I asked you if you would like your hair dyed pink and I know you love the music therapist. Your smell repels Alas Is this where Jesus dwells If you did this to the least of my little ones, you did it to me. We you haven’t forgotten about Eros you are still hoping to find love you are not dead yet but you can’ wait to go home Published by Katherine
Demented people look like refugees

Like refugees demented people flee
They have no plans no place where they can be
In my nightmares I have felt like this
No surrounding arms to bring us bliss
The fear which seems irrational is not so
Would you be patient with no place to go?
Lucky refugees may find a home.
The elderly are lost, they scream and moan
Help me help me like a child they call.
There is no Eden after that great Fall
They long for death, the home they’re in appalls
Where is the Ark to rescue these lost souls?
They have nothing left to pay the toll
Mother father husband and young wife
Confusion takes the meaning from a life.
They do not pray because they are locked out
No church no Mass, no priest,no rites,but doubt.
The piteous hands held out for us to grasp
We turn away, unbearable the task
Vitamin b9 or folate deficiency can cause symptoms like dementia

I was diagnosed with this a few years ago and I have to take folic acid
As we get older it’s a good idea to have blood tests to see if we have any kind of anaemia or shortage of vitamin d or iron etc because it’s all too easy to label people as demented sometimes even fear can make someone appear to be demented as I saw with my husband when he had an accident
Love is
Today I’m grieving feeling sad and lonely
Like the saviour said I’m feeling blue
Today I’m feeling nearly black and homeless
Every day I’m missing missing you
Everyday I think about your laughter
Everyday I think about your joy
I remember how you loved your little boys
You said my poems had got even dafter
Everyday I think about your garden
Everyday I miss your homely voice
I hope my tender heart will never harden
That is down to me and my own choice.
Everywhere I look I see your image
My tears fall on the flowers like gentle rain.
The world you loved so well may pay you homage
Love is wiser, greater than our pain
Wearing out

Just after you died I bought a new chair
I
Now it’s old, the armrest is worn .
I have sat on this chair for 10 years
But you have never come back
I have never watched the television again.
If the chair is worn, then how must I look?
I suppose joints of the chairs or id humans can wear out
It’s easy to buy a new chair if you have some money
Not so easy to buy a new joint for your knee or your shoulder.
Ask for the organs you can have a new kidney even the lung now .
Even the heart can be transplanted if it’s a good one.
We didn’t have a piano and now I regret it
Should I learn to play the recorder instead?.
Maybe a violin would make my neighbours realize I’m still alive.
That’s my ambition to get them to complain about something that I do like playing the violin upside down on the ceiling looking down upon them mournful and humorous
They have a large ginger cat but I don’t know its name I call it Ginger
Ginger does not respond to my voice but maybe a violin would help. what do you think?
Carol Rumens’s poem of the week | The Guardian
Frozen In – The Poetry Society: Poems
‘Everything is either anxiety or your period’: Readers share experiences of being dismissed by NHS GPs | The Independent
Trial by life
Trial by life has an unbearable twist
Sad days of darkness must come to an end
Trial by life’s an endurable test
Send for the minister,send for the priest.
With her long pointed nails ,she has her garments all rent.
This trial by life’s unendurable tryst
The priest is no longer either sacred or blessed.
The succession has faltered with bitter dissent
Trial by life’s an endurable test
The people must now to each other confess.
The Tabernacle’s empty ,for who paid the rent?
Trial of life, who can endure such a tryst?
We need to look into our own hearts that cursed.
We need to take shelter,though torn is the Tent
Trial by life’s an endurable test.
Who gives the verdict,which judge is not bent?
Who can decide whether we should assent?
Trial by life:what a blow ,what a fist.
Trial by life: the unbearable last
To find a home for love without
When first I saw your soulful face,
I wished to dwell in your embrace.
I wished as well to clothe you in
The sacred images within.
To find a home for love without;
To fold my dreams all round about;
Your loving body and your face
Were covered in such joy and grace.
I found my dreams were cast aside;
The world of meaning denied life.
What seemed most precious now is fled
As I lie sleepless in my bed.
What is the world when unadorned
With all that in my heart I’ve formed?
There is no meaning I can trace.
As in a mother’s empty face.
On these grey rocks. my path is hard.
From paradise, my self is barred.
To struggle or to grief succumb,
When this dark day of mourning’s done?
Into His dazzling darkness dart
My dreams and love like dying sparks.
Into His Mystery so fair.
I’ll cast both hope and my despair.
Thus my dreams will be transformed
To show themselves in other forms.
What feels a loss may foretell growth.
On my hope,I’ll take an oath:
“That nothing in my life is waste;
That I have not for phantasms chased.
And you are human,as am I.
Let’s live again until we die”
The diet of worms [
In New South Wales
They’re hunting bees,
And shooting trees.
They’re hanging worms
For lengthy terms
They’re on a diet
And don’t we know it.
The diet of worms shall be our fare
And on the bible. we shall swear.
We’ll swear our oath
We are not loth
We’ll strangle frogs
They’ll die in bogs.
We’ll always use four letter words
And they shall be our hunting swords.
We’ll kill the good
We’ll burn the wood.
We’ll shout out,fuck.
We’ll burn the book
We’ll let no thin skinned people live.
We’ll always take and never give!
We’ll use our charms
To quell alarms.
We’ll rape the girls
Cut off their curls.
For as we’re human, so we’re mad.
We kill the good and love the bad.
We saw the babe in Bethlehem
We saw him die between two men.
We did not run to cut him down
We said,Oh,fuck,another clown.
For he spoke love
And said to give.
For he spoke peace;
Let joy increase
For like most human,we are crazed
We see it and we’re not amazed.
No sunset red
No welcome bed
No golden dawn
No welcome morn
No loving arms
No sacred charms
No newborn king
No tune to sing
Oh,we are damned
We are broke
We built Auschwitz
Saw the smoke.
And now it’s built again,again
Drops the bomb
In Bethlehem.
And on our knees, we women crawl
To bury babies born too small.
To take the swords from these mens’ hands
And bury them in desert sands.
To pick up scraps of humanness
To hold up hands for God to bless.
We did it wrong,we did it bad
We never thought, so now we’re mad
The light that is enough

Attracted by the light that is enough
We need not look for wisdom somewhere else
Wandering through the world so dark and rough
We may find the secret in ourselves
The sacred is as spare as leaves are fine
No wasted bud no colour in excess
So loving senses decorate the mind
We need not hide from chaos or distress.
The secret Life is here, the everyday
This is where we know the mystic light
Our tongues alone will tell us what to say
Our normal eyes will show us holy signs
for with our shadowed selves we rightly play
Enlightened by the flowers so wild and free
The sacred is on earth for you and me
Love gives the soul her appetite.
Though the night is black and starless,
The inner guide is never careless.
The notes are struck,the tune is played,
Plain melodies are overlaid.
In this chant and benediction,
Healing comes for desolation.
Though the passage way is narrow,
This road is the one to follow.
Struggling through the mud and mire,
We see,in darkness, tongues of fire.
The sacred centre of our life
Is never found without some strife.
Just then, the dark and light combine.
To create a symbol for the mind
From (finally) being given the Booker prize to the day her partner died: an exclusive extract from Margaret Atwood’s new memoir | Margaret Atwood | The Guardian
God in search of man
It is customary to blame secular science and anti-religious philosophy for the eclipse of religion in modern society. It would be more honest to blame religion for its own defeats. Religion declined not because it was refuted, but because it became irrelevant, dull, oppressive, insipid. When faith is completely replaced by creed, worship by discipline, love by habit; when the crisis of today is ignored because of the splendor of the past; when faith becomes an heirloom rather than a living fountain; when religion speaks only in the name of authority rather than with the voice of compassion – its message becomes meaningless.
Abraham Joshua Heschel in God in Search of Man: A Philosophy of Judaism
About our minds and emotions

. “It is
in the second half of the book, however, that Donaldson asks herself that
‘very important question’: do the emotions develop in parallel with the
intellect?
She takes as her starting point the fact that many people report intense
emotional responses to works of art or to nature and, further, that many
also report having powerful ‘spiritual’ experiences. These kinds of experiences
interest her because, like the thinking of the advanced intellectual modes,
they seem relatively free of entanglement in ‘narrow personal goals’.
But such experiences are rarely the subject of scientific scrutiny.
So to study them, she is forced to look at how they have been perceived
in the past and how the world’s great religions, especially Buddhism, evaluate
and attempt to cultivate them.
She concludes that there are indeed advanced modes of development for
the emotions. Since these emotions are deeply significant for the people
who experience them, she calls them ‘value-sensing’. She identifies a ‘value-sensing
construct mode’, which is the realm of the arts and of religious myth and
ritual, and mirrors the intellectual construct mode with its scientific
thought. And then there is a ‘value-sensing transcendent mode’ which is
the realm of spiritual experience, and mirrors the intellectual transcendent
mode with its mathematics.
She describes these modes as ‘advanced in the developmental sense, in
that you can’t get them in the early stages of living. They are also perhaps
advanced in another sense, in that they have to be cultivated more than
the early ones. There may be flashes of either emotional or intellectual
insight, but to cultivate them you have to be systematic and disciplined
and you rely more heavily on teaching.’
Her ideal is to be able to move from one mode to another at will. We
may choose to think logically about a problem, for example, when that is
useful to us. In the same way, it can be useful to have transcendent emotional
experiences. ‘They put our personal goals into some sort of perspective.
By being more aware of our emotions and valuing them more, we might live
more happily and society might work better.’
She concludes by speculating on the possibility of a ‘dual enlightenment’
in which intellect and emotion are equally valued. If that happens, ‘we
may come to feel less embarrassed about and suspicious of transcendent emotion,
seeing it as no more ‘weird’ than the capacity for mathematical thought’.
Each of these, she says, is ‘a normal, though generally ill-developed, power
of the human mind’.”
Moving equilibrium
The fatal equilibrium of death
The lonely people pondering on their wrath
The dancers on the ice maintain their flow
Discipline and time love to bestow
A Negative Freedom: Thirteen Poets on Formal Verse
https://lareviewofbooks.org/article/a-negative-freedom-thirteen-poets-on-formal-verse/
Among the many reasons poets choose to write formal poetry in the 21st century is an intuitive distaste for the imitative fallacy. To write about chaos, one need not write chaotically. It’s only a minor paradox to say that discipline and constraint unlock freedom. Steele goes on to say that form-minded poets are assumed to believe that “the universe is a nice, neat, orderly place.” On the contrary, he says:
I suspect that most people who write in forms feel that the obvious disorder and chaos of the world afflict us intensely, coming
Not Yet There: Publication: On Not Knowing: How Artists Think
http://not-yet-there.blogspot.com/2013/09/0-0-1-192-1097-nottingham-trent.html?m=1

How far does our openness to aesthetic experience, and new forms of knowledge, depend on our capacity to enter and indulge states of wonder and awe, doubt and failure, ignorance and play? How critical are these conditions to the creative process? How do artists invite the unknown into their creative practice? On Not Knowing brings together contemporary artists and thinkers from a range of disciplines to explore the role of ‘not knowing’ within the creative process. The state of ‘not knowing’ or engaging with the unknown is an important aspect of all research. For artists it is crucial, as the making process often balances a strong sense of direction with a more playful or meditative state of exploration and experimentatio
Being labelled a Highly Sensitive Person was validating and empowering – until it wasn’t | Health & wellbeing | The Guardian
Writing and reading decrease our sense of isolation by Anne Lamott
Someone to be silent with

Is it a contradiction to say that the lonely seek for someone to be silent with ?
The best recent poetry – review roundup | Books | The Guardian
Word of the Day: rectitude – The New York Times
Seamus Heaney’s unpublished poems to be released — read one exclusively here
The Romantics
- Article by: Stephanie Forward
- Theme: Romanticism
Revolution
When reference is made to Romantic verse, the poets who generally spring to mind areWilliam Blake (1757-1827), William Wordsworth (1770-1850), Samuel Taylor Coleridge (1772-1834), George Gordon, 6th Lord Byron (1788-1824), Percy Bysshe Shelley (1792-1822) andJohn Keats (1795-1821). These writers had an intuitive feeling that they were ‘chosen’ to guide others through the tempestuous period of change.This was a time of physical confrontation; of violent rebellion in parts of Europe and the New World. Conscious of anarchy across the English Channel, the British government feared similar outbreaks. The early Romantic poets tended to be supporters of the French Revolution, hoping that it would bring about political change; however, the bloody Reign of Terror shocked them profoundly and affected their views. In his youth William Wordsworth was drawn to the Republican cause in France, until he gradually became disenchanted with the Revolutionaries.
Painting of the storming of the Bastille, 1789
Depiction of the storming of the Bastille, Paris – the event that triggered the French Revolution.
Copyright: © De Agostini Picture Library
The imagination
The Romantics were not in agreement about everything they said and did: far from it! Nevertheless, certain key ideas dominated their writings. They genuinely thought that they were prophetic figures who could interpret reality. The Romantics highlighted the healing power of the imagination, because they truly believed that it could enable people to transcend their troubles and their circumstances. Their creative talents could illuminate and transform the world into a coherent vision, to regenerate mankind spiritually. In A Defence of Poetry(1821), Shelley elevated the status of poets: ‘They measure the circumference and sound the depths of human nature with a comprehensive and all-penetrating spirit…’.[1] He declared that ‘Poets are the unacknowledged legislators of the world’. This might sound somewhat pretentious, but it serves to convey the faith the Romantics had in their poetry.
Manuscript of P B Shelley’s ‘The Masque of Anarchy’
P B Shelley’s manuscript of ‘The Masque of Anarchy’, 1819, was a reaction of furious outrage at the Peterloo Massacre. An avowedly political poem, it praises the non-violence of the Manchester protesters when faced with the aggression of the state.
The marginalised and oppressed
Wordsworth was concerned about the elitism of earlier poets, whose highbrow language and subject matter were neither readily accessible nor particularly relevant to ordinary people. He maintained that poetry should be democratic; that it should be composed in ‘the language really spoken by men’ (Preface to Lyrical Ballads [1802]). For this reason, he tried to give a voice to those who tended to be marginalised and oppressed by society: the rural poor; discharged soldiers; ‘fallen’ women; the insane; and children.Blake was radical in his political views, frequently addressing social issues in his poems and expressing his concerns about the monarchy and the church. His poem ‘London’ draws attention to the suffering of chimney-sweeps, soldiers and prostitutes.
Lyrical Ballads: 1800 edition
In the Preface to the Lyrical Ballads, Wordsworth writes that he has ‘taken as much pains to avoid [poetic diction] as others ordinarily take to produce it’, trying instead to ‘bring [his] language near to the language of men’.
William Blake’s Songs of Innocence and Experience
‘London’ from William Blake’s Songs of Innocence and Experience, 1794. Blake emphasises the injustice of late 18th-century society and the desperation of the poor.
Children, nature and the sublime
For the world to be regenerated, the Romantics said that it was necessary to start all over again with a childlike perspective. They believed that children were special because they were innocent and uncorrupted, enjoying a precious affinity with nature. Romantic verse was suffused with reverence for the natural world. In Coleridge’s ‘Frost at Midnight’ (1798) the poet hailed nature as the ‘Great universal Teacher!’ Recalling his unhappy times at Christ’s Hospital School in London, he explained his aspirations for his son, Hartley, who would have the freedom to enjoy his childhood and appreciate his surroundings. The Romantics were inspired by the environment, and encouraged people to venture into new territories – both literally and metaphorically. In their writings they made the world seem a place with infinite, unlimited potential.
Samuel Taylor Coleridge, A Walking Tour of Cumbria
In August 1802, Samuel Taylor Coleridge set out from his home at Greta Hall, Keswick, for a week’s solo walking-tour in the nearby Cumbrian mountains. He kept detailed notes of the landscape around him, drawing rough sketches and maps. These notes and sketches are in Notebook No 2, one of 64 notebooks Coleridge kept between 1794 and his death.
Burke’s A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful
In this 1757 essay, the philosopher Edmund Burke discusses the attraction of the immense, the terrible and the uncontrollable. The work had a profound influence on the Romantic poets.
The second-generation Romantics
Blake, Wordsworth and Coleridge were first-generation Romantics, writing against a backdrop of war. Wordsworth, however, became increasingly conservative in his outlook: indeed, second-generation Romantics, such as Byron, Shelley and Keats, felt that he had ‘sold out’ to the Establishment. In the suppressed Dedication to Don Juan (1819-1824) Byron criticised the Poet Laureate, Robert Southey, and the other ‘Lakers’, Wordsworth and Coleridge (all three lived in the Lake District). Byron also vented his spleen on the English Foreign Secretary, Viscount Castlereagh, denouncing him as an ‘intellectual eunuch’, a ‘bungler’ and a ‘tinkering slavemaker’ (stanzas 11 and 14). Although the Romantics stressed the importance of the individual, they also advocated a commitment to mankind. Byron became actively involved in the struggles for Italian nationalism and the liberation of Greece from Ottoman rule.Notorious for his sexual exploits, and dogged by debt and scandal, Byron quitted Britain in 1816. Lady Caroline Lamb famously declared that he was ‘Mad, bad and dangerous to know.’ Similar accusations were pointed at Shelley. Nicknamed ‘Mad Shelley’ at Eton, he was sent down from Oxford for advocating atheism. He antagonised the Establishment further by his criticism of the monarchy, and by his immoral lifestyle.
Letter from Lord Byron about his memoirs, 29 October 1819
In this letter to his publisher, John Murray, Byron notes the poor reception of the first two cantos of Don Juan, but states that he has written a hundred stanzas of a third canto. He also states that he is leaving his memoirs to his friend George Moore, to be read after his death, but that this text does not include details of his love affairs.
Copyright: © GG Byron
Female poets
Female poets also contributed to the Romantic movement, but their strategies tended to be more subtle and less controversial. Although Dorothy Wordsworth (1771-1855) was modest about her writing abilities, she produced poems of her own; and her journals and travel narratives certainly provided inspiration for her brother. Women were generally limited in their prospects, and many found themselves confined to the domestic sphere; nevertheless, they did manage to express or intimate their concerns. For example, Mary Alcock (c. 1742-1798) penned ‘The Chimney Sweeper’s Complaint’. In ‘The Birth-Day’, Mary Robinson (1758-1800) highlighted the enormous discrepancy between life for the rich and the poor. Gender issues were foregrounded in ‘Indian Woman’s Death Song’ by Felicia Hemans (1793-1835).
The Gothic
Reaction against the Enlightenment was reflected in the rise of the Gothic novel. The most popular and well-paid 18th-century novelist, Ann Radcliffe (1764–1823), specialised in ‘the hobgoblin-romance’. Her fiction held particular appeal for frustrated middle-class women who experienced a vicarious frisson of excitement when they read about heroines venturing into awe-inspiring landscapes. She was dubbed ‘Mother Radcliffe’ by Keats, because she had such an influence on Romantic poets. The Gothic genre contributed to Coleridge’s Christabel(1816) and Keats’s ‘La Belle Dame Sans Merci’ (1819). Mary Shelley (1797-1851) blended realist, Gothic and Romantic elements to produce her masterpiece Frankenstein (1818), in which a number of Romantic aspects can be identified. She quotes from Coleridge’s Romantic poem The Rime of the Ancyent Marinere. In the third chapter Frankenstein refers to his scientific endeavours being driven by his imagination. The book raises worrying questions about the possibility of ‘regenerating’ mankind; but at several points the world of nature provides inspiration and solace.
The Mysteries of Udolpho
The Mysteries of Udolpho (1794) by Ann Radcliffe was one of the most popular and influential Gothic novels of the late 18th century.
The Byronic hero
Romanticism set a trend for some literary stereotypes. Byron’s Childe Harold (1812-1818) described the wanderings of a young man, disillusioned with his empty way of life. The melancholy, dark, brooding, rebellious ‘Byronic hero’, a solitary wanderer, seemed to represent a generation, and the image lingered. The figure became a kind of role model for youngsters: men regarded him as ‘cool’ and women found him enticing! Byron died young, in 1824, after contracting a fever. This added to the ‘appeal’. Subsequently a number of complex and intriguing heroes appeared in novels: for example, Heathcliff in Emily Brontë’s Wuthering Heights and Edward Rochester in Charlotte Brontë’s Jane Eyre (both published in 1847).
Illustrations to Wuthering Heights by Clare Leighton
The Byronic hero influenced Emily Brontë’s portrayal of Heathcliff in Wuthering Heights. This 1931 edition of Brontë’s novel is illustrated with wood engravings by Clare Leighton.
Copyright: © By arrangement with the Estate of Clare Leighton
Contraries
Romanticism offered a new way of looking at the world, prioritising imagination above reason. There was, however, a tension at times in the writings, as the poets tried to face up to life’s seeming contradictions. Blake published Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul (1794). Here we find two different perspectives on religion in ‘The Lamb’ and ‘The Tyger’. The simple vocabulary and form of ‘The Lamb’ suggest that God is the beneficent, loving Good Shepherd. In stark contrast, the creator depicted in ‘The Tyger’ is a powerful blacksmith figure. The speaker is stunned by the exotic, frightening animal, posing the rhetorical question: ‘Did he who made the Lamb make thee?’ InThe Marriage of Heaven and Hell (1790-1793) Blake asserted: ‘Without contraries is no progression’ (stanza 8).
The Marriage of Heaven and Hell by William Blake
In The Marriage of Heaven and Hell, William Blake explores ideas of contraries which also feature in Songs of Innocence and of Experience.
Manuscript of ‘Ode on a Grecian Urn’ by John Keats
‘Ode on a Grecian Urn’ from a manuscript copy believed to be in the hand of George Keats, the poet’s brother.
Footnotes
[1] Percy Bysshe Shelley, Shelley’s poetry and prose: authoritative texts, criticisms, ed. by Donald H. Reiman and Sharon B. Powers (New York; London: Norton, c.1977), p.485.
The text in this article is available under the Creative Commons License.
The power of language by Thomas Moore

https://www.resurgence.org/magazine/article3284-the-power-of-language.html
The words a leader chooses are just as critical as their actions, writes Thomas Moore.
Peace and Love by Trevor Price. Image copyright: Trevor Price http://www.trevorprice.co.uk
“As a writer and psychotherapist, I have been using words carefully most of my life. While counselling a husband and wife, I notice that a single word can stir their emotions and take their conversation to a dark place they both know is negative.
If, for example, I use a word like ‘neurotic’ or even ‘troubled’ in talking to a client about his situation, he may feel judged and become defensive. On the other hand, a few honest words of appreciation can put a marriage back on track.
Words don’t just convey meaning: they are a force.
We live at a time when people are generally pragmatic. We want to be effective and we don’t care much about the words we use. We see signs of this carelessness in advertising, where grammar and spelling are secondary to perkiness and brevity. People drink lite sodas and are purchasing new tech (technology) for their business offices, and apps (applications) for their telephones.
Of course language evolves, but you can usually sense the difference between evolution and neglect. Smoothing out a word like ‘light’ into ‘lite’, we lose its history and associations. The word ultimately goes back to leukos in Greek and is related to leukaemia, a problem of white blood cells. We don’t sound the ‘gh’, but its presence there keeps the memory of the Greek associations.
In my own writing I try to find a midpoint between pedanticism and love of language. I know what I’m talking about, because I was once fired from a teaching position at a university in part because I didn’t write in acceptable academic style. Apparently, my words didn’t have sufficient or appropriate gravitas.
A Rumi story tells of a dervish walking past a deep well. He hears a voice:
“Help. I’m a writer and I’m stuck down here.”
The dervish says, “I’ll go find out where a ladder’s at.”
“Your grammar’s atrocious,” the writer shouts up.
“Well, then, you’ll have to wait there until my grammar improves,” the dervish says, and walks on.
I feel like the writer in the well waiting for grammar to improve. And not just grammar. I understand the Sufi complaint about being too fussy about rules of speech. I’m waiting, too, for a love of language to return, an appreciation for the words we use and for style and grace in expression. Like the writer in the well, I could be in for a long wait.
World leaders often use diplomatic language that hides the real meaning of the words, creating euphemisms that are outright dangerous. Describing slaughtered and maimed civilians as “collateral damage” is the classic example for our times, and it’s cynical in the extreme. “Enhanced interrogation techniques” for ‘torture’ seems part of the cruelty.
The bland and bloated language of politics blocks the opportunity for leaders to truly inspire and educate. Imagine hearing instead a thoughtful, measured analysis of the world situation from a leader, accompanied by intelligent, subtle solutions to problems. Instead, we get the tired and unimaginative language of war and militancy. Wars begin with words, so we should be careful how we speak, especially to nations where there is tension. Our words can heal the situation before the military takes up its weapons.
We could all have a rule that we won’t use words that come to us unconsciously and out of habit or that are in the common parlance of public discourse. Fresh words could help us arrive at fresh ideas, for there is an intimate connection between thought and word. Careful use of words requires careful thinking.
Sometimes I wonder if the language of progressive movements gets in the way of the message. I, for one, always stumble at the word ‘sustainability’. When I think about it, I know what it means, but it doesn’t feel like a friendly word. I’d rather talk about not being wasteful, or about using resources carefully and wisely. ‘Environmentalism’ isn’t such a friendly word either. Maybe we need a new, simple word or phrase – ‘care for the world’.
World peace begins with peace in the family. As a therapist, I’ve heard many adults recite hurtful words they heard decades ago from a parent or sibling. Care in speaking to children requires a degree of self-possession, the ability to see past the blind emotion of the moment to the needs of the child. Good words come from that greater vision.
For example, words of extreme praise can do wonders for the injured ego of a child or spouse. Sometimes it’s helpful to give words to what is usually left unspoken. “I appreciate what you did for me. I’m happy that you’re with me.” Simple, direct and felt words of praise, appreciation and gratitude often go unsaid, when they could be a handy means of healing. Words hurt and words heal”
Enjoy taking care
“Fresh words could help us arrive at fresh ideas, for there is an intimate connection between thought and word. Careful use of words requires careful thinking.”
Thomas Moore
Poetry and the grief of losing a child
When poetry can help to ease the pain Tim Maguire on poems that may
offer solace while grieving ‘for a child that had not yet lived’ Letters ‘There are many beautiful poems available,’ says Tim Maguire. I was touched by Devika Bhat’s article about losing her baby (G2, 28 October) and shared it with my humanist celebrant colleagues. Devika says: “There is no established narrative around grieving for a child that had not yet lived and, it turns out, that is reflected in literature too.” She is right that the subject is rarely discussed but, because of what we do, we are aware that there are many beautiful poems available. Noteworthy examples include The Noble Nature by Ben Jonson and When the Heart by Michael Leunig. Sands, the stillbirth and neonatal death charity, has also published an anthology of poems written by parents and other family members called A Gift of Words. I hope this information can help anyone affected find at least some solace at this most difficult of times. Tim Maguire
Hundreds of people reading this but who are they and why?
If the hundreds of people from the USA reading my blog today continues I will close the blog temporarily
Mary and the the holiday

Mary sat in her living room crying virtuously and feeling lonely.
Emile her clever cat ran out of the door into the front street and went round to Annie’s their lovely yet frightful neighbour.
You’d better come round; mother is crying, the poor animal moaned picturesquely
Annie was wearing a purple jumpsuit with green suede boots and their matching green scarf round her neck. Not leather but wool the leather might bebetter in the rain!
She followed the small but strong cat into the bijiu house next door and immediately went into the kitchen to put the electric kettle on
Who is that said Mary thoughtfully?
It’s only me cried Annie kindlily
Whatever is the matter, Mary? Emile’s so worried about you
Oh it’s stupid but I’ve just got a letter saying my ultrasound scan is tomorrow and I really don’t feel like going
Would you like me to come with you?
Well that would help but you see I’m worried because…..
I’ll let you in to a secret
All these UTIs have made my bladder weak and I’m worried that I won’t be able to go there with a full bladder
Well why don’t you go to the loof first?
No you can’t because the ultrasound scan of the bladder does not work unless it is fairly full because if it’s not full all the other organs crowd it away. That sounds rather odd like animals in the jungle….
But they also look at the kidneys as well and that’s both in that case or even if the bladder doesn’t show up on the scan it will certainly be able to examine the kidneys. And I won’t be able to wear my jumpsuit because I wouldn’t like to have to take that off in a room full of technicians and medical people
Well it’s like everything in life we need some advice so why don’t we ring 999 and ask Dave the paramedic to come round to help us with our discussion and see if we can give any good advice
In 10 minutes they heard the ambulance coming down the street with the siren blaring. In ran Dave the paramedic wearing a pinstripe suit made of pure silk and wool and underneath it he wore a large pink bra stuffed with useful items that he couldn’t carry in his pockets in case it spoiled his suit
Mary you shouldn’t keep everything to yourself so much because lots of people have to have ultrasound scans
You don’t have to get undressed if you wear elastic waisted trousers.
You can get some very nice incontinence pants in Toots the pharmacy you could even wear two pairs of them and if the worst comes to the worst then if you wet yourself it will be an opportunity for the staff to show how kind and understanding they are. Maybe they will send you home more quickly in urgent transport and not make you wait for three hours or more like they did the last time you went to hospital,
I will see if I can pop by depending on my duties tomorrow.
Annie thought to herself I wonder if Mary is really worried about wetting her pants or is it she’s worried about whether she’s got cancer or some other mysterious disease. After all you can change your knickers and your trousers but you can’t change your organs easily especially when you are a very very old person.
She made some lovely hot coffee and they all sat around the fire looking at photo graphs of North Norfolk which Stan had taken on their last holiday in Ringstead. Mary still missed Stan very much
Why am I not on the photographs mewed Emile the little yet clever vcat?
Well that was before you were born Mary told him gently because if you had been here we would have taken you with us like we did our first cat Benjamin to Brancaster
Well that’s giving me idead Dave cried
Why don’t we arrange a holiday in North Norfolk and I can drive you and Emile can sit next to me in a basket strapped to the seat
Oh that sounds a wonderful idea Mary cried joyously
It will be nice to have some future plan to think about rather than just day to day worries of health and foods etc
Annie said why don’t we go to Wells next the sea
Yes that’s a very nice place with a shop that sells real Guernsey and Aran sweaters
Now everyone’s got central heating not many people want them but they’re very good for folk going out in boats to see the seals near Sharingham.
Well maybe we could go out in a boat and see the seals Annie answered him as she picked up the coffee cup to take them back to the kitchen
Mary realised that worrying was using a lot of her energy and if they were going on holiday she could spend the time planning her wardrobe as advised by Good hmGousekeeping fashion page
Until Mary had read this magazine she had never thought that anyone would buy a special wardrobe just to go for a week’s holiday but apparently they do even when they’re not going to somewhere exotic hot or very, very cold like the Arctic circle
I think Annie will have to go up to Wigan to buy some of that makeup that they’re specializing in up there because she will want to buy eyeshadow and blusher to match the coastal colours of blue mauve gray pink and the sunshine colors of spring like the Hawthorne blossom on the hedges by the coast road running from King’s Lynn to Cromer
Well at least it seems that Mary has got something else to think about and the other two will enjoy it whereas Emile om may find it rather hard but he can always travel in someone’s pocket or a special bag
Is there such a thing as a cat rucksack?
Mary is good with her hands so perhaps she will make one un start a new trend
And so will some of us!










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