Stats

At Uni I got an Aegrotat   because I had a sick sense of humour
When I got married my husband didn’t even know my name.Neither did I.
I worked in a male order firm in the summer holidays.Then at Xmas, I  delivered the male myself.We only had one in stock.
I also worked in a care home for older people.One died.But soon we got another.
I have a problem.I sing like a boiling kettle.So people expect to be in hot water.
I got another Aegrotat.I was mentally sick.I didn’t like to pick up books.I was  unable to make distinctions like pens and ink….Freud said it is  copulation, you see.That’s why children have to type on computers.One day they will type on paper and then we’ll see. Meanwhile they have real sex as soon as it’s legal.Is sex legal?
Did Freud really understand the Unconscious?

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When I attained puberty I kept drumming my fingers on the sideboard and the table.I couldn’t stop until the Devil came out and asked me for my instructions.
What does he think I am, a Catholic priest?

I’ve been sorting out my books.None are horror stories except Peter Pan.

I never read maths books unless I couldn’t solve the problems.

I love Aegrotats, Thermostats and Acrobats.And cats on mats

Robinson Crusoe

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Digital art by Katherine

How infinitely good . . . providence is, which has provided in its government of mankind such narrow bounds to his sight and knowledge of things; and though he walks in the midst of so many thousand dangers, the sight of which, if discovered to him, would distract his mind and sink his spirits, he is kept serene and calm, by having the events of things hid from his eyes, and knowing nothing of the dangers which surround him. (Defoe, p. 163)

The hoards of hordes

garganey
Photo from Mike Flemming’s blog.Will post link later

Personally.I hoard hordes of admirers’ letters by my bed in a big box to read when bored by what I see on the blackboard in my head.That’s the fate of beautiful maths teachers.So many admirers, but so few understood my love of pi.Actually, nobody  did. I think I was abnormal but never mind. 

Usually, I hoarded my pocket money but when Mum said that hordes of barbarians were coming to the football match.I decided to spend it all before they arrived Never did chocolate taste so good.Then I felt sickened by my greed.Then I must have died as I can’t recall anything else.

When hordes of men walked to the town hall, the Mayor took all his hoarded goodies and fled.East I think.

When I am bored I write poems on a  board.

Have you anything to declare? Yes, God is Light
How did you weigh him?
You can’t weigh light waves,
How about particles?
They move so fast!

The fishing boats at dawn

The fishing boats like seeds on morning sea
Floated at a distance  from the shore
The sun’s rise right behind them, poetry

Standing at the window where we see
Ancient practice carried out once more
From fishing boats like seeds on morning sea

In the flowers  outside the window, honey bees
Murmur with the sea  like a small choir
The sun’s rise right behind them, poetry

The scent of  many roses rises free
While rusting in the beach one sees war’s wire
While fishing boats are seeds on morning sea

This  flat coast might give ships entry free
A  place for Nazi troops  and battles  dire
The sun so bright adds  insecurity

I fear that our lost Empire made us liars
Unconscious  of the hatred we inspired
The fishing boats  are seeds on morning sea
The sun may rise  behind them warily

Alabaster  mixed with shreds of bone

Which is of  greater value to the lone,
They  suffer despite access to the web
A jewelled ring or a sea-polished stone?

Days of love when by the sea we roamed
May mean as much as love shared in a bed
Which is of greater value to the lone?

A home computer and a good smartphone
A thoughtful book forever to be read,
A jewelled ring or a sea-polished stone

Alabaster  mixed with shreds of bone
Found at Dunwich, telling as a rib
Which is of higher value to the lone

As the rounds of running tides brings poems
Let us hold  in memory  what we had
Both jewelled ring and such sea-polished stones

As I blunder, writing poems at home,
I wonder, who shall know such love again
Which can bring more comfort to the lone
A jewelled ring or a sea-polished stone?

Horde:Oxford dicitonary online

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horde

NOUN
  • 1derogatory A large group of people.

    ‘a horde of beery rugby fans’
    More example sentences
    Synonyms
    1. 1.1 An army or tribe of nomadic warriors.
      ‘Tartar hordes’
      More example sentences
      Synonyms
  • 2Anthropology 
    A small loosely knit social group typically consisting of about five families.

    Example sentences

Axes ring

Axes are useful, real and imaginary.Does our earth have them?
Borrow one in sums.Not nice.Arithmetic sucks
Calculus is based on non-understanding of first principles which may not be understandable like certain jokes.
Drawing graphs is an art and a science.
Euclid has frightened some and delighted others.And a  right angle to you as well.
Flatland is a book set in an imaginary two-dimensional world.Fractions frighten
Geometry gave way to algebra.Godel studied axiomatic systems.
God was a Word not a number……. think about it.
Hard as maths is, there is a non-sensual beauty in there somewhere
It takes your mind off the pain when you try to visualise 4 dimensions.Be aware some never return.
Jokes are not often found in our textbooks except the biggest.. that God likes jigsaws, geometry and juggling.
Kurt Godel went mad.He proved maths cannot have a complete set of axioms with no contradictions.So don’t go there
Logic is not identical  with mathematics.
Multiplication tables were sung by children at school in the past.Matrices are rows and columns of numbers.
Number theory is harder than one would imagine from counting one’s digits.
Operators are imaginary concepts which have an effect on other imaginary concepts which then contribute to nuclear physics, and a few other things like the end of the world.
Probability seems to be part of the nature of the world despite Einstein’s famous words. God does not play dice.
Quantitative methods were what they called maths to stop the anxiety students felt.But it’s a bad name.
Reason is only   part of mathematics
Straight lines can meet.
Theorems can be interesting if you know why you are learning them
Why? Why indeed.Wranglers are top mathematics students at Cambridge.
X or x is often the unknown we look for.
Y is like X  just by historical  usage
Zero as a concept with a sign is more abstract than One.Hence its late arrival on the human scene.
Nothing can be symbolised. Ain’t that  wonderful?

News for Newts

· 29routine9-superJumbo

1.When do you use a colon, the teacher asked?
The girl responded: after our food is digested, until we can evacuate the remains of the prey.
2 What is a full stop, the teacher continued?
Death, answered the child
3.What’s a comma?
A coma spelt wrongly.
4.What is a question mark ?
It’s how high a grade the question gets.
5.What is a sentence?
It is what inferior criminals get.The superior ones get away with everything
6 What is syntax?
Is it a fine for adulterers or companies that evade tax? Or is it a Saint called Axe?
7.What is a paragraph?
Well, it’s got something in common with paramilitary.And with geometry.
The War in Mathematics.
8.What is the Platonic Realm?
It’s heavenly with no sex.
9.What is the Socratic Method?
Is it like the Rhythm Method but harder.Like controlling conceptions by the intellect alone?
10.What is the Solar System?
It’s Central Heating using solar panels on the roof.
11 What is the Milky Way?
Is it bottle feeding babies?
12.Am I astute?
I don’t know what a Stute is.Is it  a relative of the Newts?
13 Am I a tutor?
Amae Atuta… Is she a film star?
14 Have you done your best to pass this test?
Yes,I am building a tunnel under your desk into the garden.I’m in league with The Gaza Strip.
15 What is the Gaza Strip?
Is it going through a checkpoint into Israel?
16 What is a Bedouin?
I can’t be doing with this.
17.Where is Jerusalem?
In Shropshire near  Wenlock Edge or in South Lancashire where there are dark,satanic mills now used as Mail Order Firms or Call Centres.
19 What is a  Temple?
It’s  near your forehead.
20.What is a Cathedral?
It’s  like an Epidural but they put a catheter in so you don’t need to go to the toilet while you are having the baby.
21.What is the Vatican?
Surely you must know that at your age!
22 What does “when in Rome do as the Romans do mean?”
Don’t be original.Plagiarise like mad.
23 What was the Trojan Horse
It’s what they used in Troja instead of buses.It  pulled a carriage  or even two
24 Who was Julius Caesar?
Was he the man who worked getting the property off the bankrupt?
25 Why do people go to Oxford and Cambridge?
Is it something to do with particles in quantum mechanics where one particle can go through 2 different holes at exactly the same time.
So one person could go through Oxford and Cambridge simultaneously especially if Bletchley Station was open.
26 Will you get a place at Oxford?
No, I’m too intellectual.I’m  thinking more like, Anthrax if I get a scholarship.
27 What about Cambridge?
Is it something to do with Prince George starting school?
28.What do you think of Birmingham?
It seemed a good idea at the time.
29 Durham is an ancient university.What do you think of that?
I’ve never seen it yet.Is it behind the Cathedral? I saw that once from a train
30 What about Newcastle?
It’s still got a coal mine worked by Holy Spirits.They all speak Geordie.
31 How about Tel Aviv?
You tell them
32 And Iran?
I wish it were still called Persia.
33 Do names matter?
Only if you don’t know them.
34 Should we go to Church?
Only if we have OCD.
35 And Confession?
Always an error.
36 Am I  mad?
Probably but no worse than anyone else except the man who is on  Twitter all night.
37 Are you depressed?
Stop pressing me.
38 And Freud?
The bacon that Jews couldn’t eat
39 .Is it good to understand things?
It’s better to evoke~
40 What is penance?
The size of my pension

As it tempted us to sin.

My lover stole my comb because

My golden hair too ruly was.

He sometimes brushed it with his chin;

And so our life of  love began.

 

He swept the floor with my hairbrush.

So more tangled and more lush

My locks became and that pleased him.

As it tempted us to sin.

 

Unruly were his passions once

As on his knee  I was ensconced.

But later ,he preferred the cat.

Even as she she scratched and spat.

 

I see now  he preferred  furred beasts.

And met them on his nightly trysts.

I should not have cut off my hair.

Nor made it ruly and less fair.

 

I dyed it to a shade of red

Far too fierce for my dear head.

I dyed it green like apples fair

And I forgot that he would care.

 

Now it’s golden like a  crown

And in ringlets it does fall down.

Alas it is too late,I know.

For he is dead and lies below.

 

I should have heeded his advice

Never be too kind nor wise.

Hide your  eloquence so great.

And always make your courtiers wait.

 

Unfortunately I was entranced

Watching   numbers so advanced;

Infinities of different size

So no ruliness presides.

 

Yet our own lives are finite.

A few brief hours of gold sunlight.

A few of those  by lovers ruled;

Precious days   each full of jewels

 

When we descend into  the night

Blackness rules and we can’t fight.

So the ruly come to dust.

Even when they passed their tests.

 

And the unruly also die.

With the worms the gold locks lie.

Wedding rings and jewellery

Are of no more use to me.

 

 

Yes, the unruly also die..

Though they may have felt more joy.

Not compelled to obey all,

They don’t complain when dark night falls.

 

Oh,my apple, I still care;

I still love you,my own dear.

I think of you and never rue

The love that was twixt you and me.

 

 

In my dreams we danced again

Music played and  love outran

All the numbers in my books.

Infinite were our loving looks.

 

Aleph null and aleph one,

By the Hebrews naming done.

No doubt God knows the full gist.

How  we sang and  dance and kissed.

 

.

Lions and tigers pitied the distraught.

A lion must kill, be savage with its jaws
But only other humans desire  souls
A tiger  has no sense but  natural laws

A lion will sleep replete, his head on paws
Jews were buried live with bodies whole
A lion must kill, devour beasts with its jaws

Why do we do evil; what’s  our cause?
The earth was heaving live, what can we know?
Thee tiger  senses merely natural laws

In a strange dilemma, we are caught
How did we make murder a shared goal?
A lion must kill and eat its prey still raw

The few live Jews came home and home they sought
Yet were  murdered,  flung alive down holes
Lions and tigers pitied the distraught.

Now the bones of Jews  mingle with  coal
Where are they dwelling now, who raised their souls?
A lion must kill to eat with   its own jaws
A tiger  has no sense but nature’s laws

Will you got to Heaven and share with all?
The Warsaw Jews,  the European trolls
How the Ten Commandments  still annoy
The men of greed, the bankers, souls forlorn

Europe died when Europe made Great Wars
Europe did not live by any law
Staggering on, we do not know we died
When we killed the Jews, the Lord’s allies.

A letter

Dear Katherine
Your blog is very rude.After I got to the bottom of the page and by the way that was no easy task with all the stuff you write, what did I see but “Older Pests press here”
Well,I am mortally wounded.I know we disagree on much but I thought I was doing you a favour visiting you instead of preying like I used to do.
I can’t believe you have changed so much in the last five years and I am puzzled about how I ever loved you.Well, to be honest, that was a  lie.It’s  just a rapid way of getting someone to open up without spending years getting to know them in the usual way
Yet I did think you loved me true though I never deserved your patience and gentleness.To prove it I hit you with a brick and a bit if brac as well but does that mean you may demean me and call me an  Older Pest? Just  Pest is cruel enough, why add Older? We are all older but so I keep mentioning it
Did I ever give you any child maintenance? I think I forgot but as you seem fairly intelligent I imagine you have made money one way or another.There’s nothing wrong with  being a harlot as long as you keep it secret.And with your IQ I imagine you did.Now he’s at school maybe I will visit you and give you a  piece of my mind
On second thoughts,I confess I am scared of you as you might wish to castrate me like mother tried to do.What is it with women?You hug them, kiss them and then they want a new kitchen!Well I shan’t do that again
Is a Pest always a sexual Pest?From your papers I see you have lots of them/.Maybe it is to them you refer and not to me.If so,I never apologise but I did not mean to offend you for more than a year or so.
I’m in a Care Home now.They care and I moan.Just like being married really.God knows why women still love men
Lots of hate and a dash of admiration
Peter Pesky Ph.D { Oxen}
Professor Superfluous [ fired from 6  Universities ]

 

 

 

 

 

 

Peter

The sacrifice of meaning, Matthew Bowker

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“Perhaps this is the absurd lesson of Job: that our choice is either to accept loss and make it meaningful or to protest it in  absurdity, which costs us our ability to mean. If we choose the former, it need not be because we are satisfied that there is a universal order or great warum that justifies our losses, but because our meaning-making power is all we have to trade, and to give it up is to sacrifice our ability to act meaningfully in the world. On the other hand, if we are to follow the example of Camus’ 1958) vaunted “fastidious assassins” who demanded self-sacrifice as the only just compensation for performing acts of terrorism, then when confronted with extraordinary inhumanity or injustice, perhaps only the sacrifice of our ability to mean is meaningful.”

How to come over better at work..for women…..what rubbish

Photo0041.jpgPhoto0040.jpgApparently standing up straight does more for you than going to Cambridge
Looking slim is better than 5 A*’s at A level.What are women for?
Being beautiful is great for career acceleration into the lap of some mad  dominating mogul.Carry some tailors’  pins and practice elbowing men in the groin with a rubber male doll.Try to look menacing now and then
Making eye contact is an error as men thin you are coming on to them but if you don’t they will say you are autistic.If you are autistic it’s big advantage should you wish to become a mathematician.We are nearly all autistic… just mildly, of course.Getting obsessed with Fermat’s Last theorem is more fun than gambling  or getting drunk
Getting obsessed with yourself is not so good.Get obsessed about infinity and the fact there are different orders of infinity,Make sure you tell your lover  about aleph null and aleph one while they are caressing you on the sofa while you watch Henning Mankel’s latest TV film.Who wants to watch TV
Carry a tennis racket to “accidentally” hit men  or omen who violate your boundaries.Or a heavy handbag full of pens and keys is often useful.
Tell  men you don’t remove your tampon so they can suck your blood.Why don’t they do it like vampires? God,I’ve never heard of such absolutely dreadful things until Weinstein got into trouble.What next? I don’t want to got there
Do men want to suck our blood because they are anaemic? Have you ever heard such things before?
I think I might be a lesbian now.I  am a lapsed heterosexual.

So called paradoxical traits of creative people

Oxford_2017-2
https://www.fastcompany.com/3016689/10-paradoxical-traits-of-creative-people

10. CREATIVE PEOPLE’S OPENNESS AND SENSITIVITY OFTEN EXPOSES THEM TO SUFFERING AND PAIN, YET ALSO TO A GREAT DEAL OF ENJOYMENT.

“Perhaps the most important quality, the one that is most consistently present in all creative individuals, is the ability to enjoy the process of creation for its own sake. Without this trait, poets would give up striving for perfection and would write commercial jingles, economists would work for banks where they would earn at least twice as much as they do at universities, and physicists would stop doing basic research and join industrial laboratories where the conditions are better and the expectations more predictable.”

Paradoxical or not, what I have learned most is that there is no formula for individual creation. As Mihay says, “creative individuals are remarkable for their ability to adapt to almost any situation and to make do with whatever is at hand to reach their goals.” So, more than anything else, what it takes to be creative is resourcefulness and the courage not to give up.

The art of poetry with George Seferis

Nuneham_2017-1https://www.theparisreview.org/interviews/4112/george-seferis-the-art-of-poetry-no-13-george-seferis

 

Interviewed by Edmund Keeley

ISSUE 50, FALL 1970

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INTERVIEWER

Do you think there’s an advantage—as I think Cavafy would probably have thought—to being in dialogue with historians? In other words, do you feel that history has something particular to say to the poet?

SEFERIS

If you remember, Cavafy was proud of having a sense of history. He used to say: “I am a man of history”—something like that, I don’t remember the exact quotation. I am not that way; but still, I feel the pressure of history. In another way, perhaps: more mythological, more abstract, or more concrete . . . I don’t know.

INTERVIEWER

How about the relation of the Greek poet to his particular historical tradition? You once said that there is no ancient Greece in Greece. What did you mean by that exactly?

SEFERIS

I meant Greece is a continuous process. In English the expression “ancient Greece” includes the meaning of “finished,” whereas for us Greece goes on living, for better or for worse; it is in life, has not expired yet. That is a fact. One can make the same argument when one discusses the pronunciation of ancient Greek. Your scholars in America or in England or in France may be quite right in adopting the Erasmic pronunciation: for them Greek is a dead language; but for us it is another story. The fact is, you consider that ancient Greek has terminated its function at a certain point, and this enables you to pronounce it—with my regrets—in an arbitrary way.

INTERVIEWER

Then you obviously see the Greek tradition in language, as well as in other things, as a continuous process. That is not the belief of some classical and Byzantine scholars in this country—and, I suppose, elsewhere.

SEFERIS

You know why that happens? Because the subject, the history, of Greece is so large that each scholar limits himself to a certain period or branch, and nothing exists outside of it. For example, Gibbon considered that a thousand years of life were a decline. How can a people be in decline for a thousand years? After all, between the Homeric poems and the birth of Christ eight hundred years elapsed—or something like that—and then presumably there were a thousand years of decline.

INTERVIEWER

On the question of the Greek poet’s relation to his tradition, it has always seemed to me that the Greek poet has an advantage over his Anglo-Saxon counterpart who makes use of Greek mythology and sometimes even of Greek landscape. I remember years ago when I was writing a thesis on what I thought were English influences in the poetry of Cavafy and Seferis, I asked you about certain images that crop up in your landscape, for example, the symbolic meaning of the statues that appear in your work. You turned to me and said: “But those are real statues. They existed in a landscape I had seen.” What I think you were saying is that you always start with the fact of a living, actual setting and move from there to any universal meaning that might be contained in it.

SEFERIS

An illustration of that from someone who is a specialist in classical statues came the other day from an English scholar who was lecturing about the statuary of the Parthenon. I went up to congratulate him after his lecture, and he said to me, as I remember: “But you have a line which expresses something of what I meant when you say ‘the statues are not the ruins—we are the ruins.’” I mean I was astonished that a scholar of his caliber was using a line from me to illustrate a point.

INTERVIEWER

The imagery that a poet gets from his childhood is something we’ve discussed before. You once distinguished yourself from the average Englishman by suggesting that donkeys probably did for you what footballs and cars might do for them. I remember you also talked about the sea and the sailors of your native village near Smyrna.

Can modern poetry be saved?

Nuneham_2017-4

https://www.theatlantic.com/entertainment/archive/2013/06/can-modern-poetry-be-saved/314001/

 

“The responses so far have been either skeptical or overwrought. Charles is somewhat dismissive: “Could this essay in Harper’s spark a real literary wrestling match? Possibly, although poets are pretty inured to these well-worn grievances. Edmundson admits early on that Ralph Waldo Emerson preached essentially the same complaint 170 years ago.” At The Huffington Post, meanwhile, the poet Seth Abramson published a 2,500 word sermon against the idea of poetic decline. “Contemporary American poetry nourishes and enlivens and congregates and educates and in some cases even saves us the very same way poetry has always done for those with the willingness to stop speaking and listen,” he writes. Edmundson clearly touched a nerve among those invested in preserving poetry’s stature.

At the same time, Edmundson’s premise requires some scrutiny. He focuses primarily on the species of poet whose work appears in organs like The New Yorker, where verse is treated, much like the magazine’s infamous cartoons, as page filler, utterly subordinate to the long-form journalism and fiction that dominates the magazine’s feature well. “Many of the poems published in, say, The New Yorker feel just like the linguistic equivalent of a vanilla-scented candle,” the author Courtney Queeney noted in 2009. A year later, Slate observed that New Yorker poems tend to obsess over the craft of poetry itself. By design, New Yorkerpoems don’t distract or tantalize. They don’t grasp for what lies beyond, much less the reality before us. They don’t question authority. Of course, this may concern members of the literati like Mark Edmundson. But it is not exactly proof of a decaying form.

By the same token, Edmundson’s strict focus on the country’s most famous poets — Paul Muldoon, Anne Carson, John Ashbery, Charles Simic, and on and on — seems to suggest that our systems of awards and fame are far more flawed than the bulging corpus of American poetry. If your media diet comprises The New Yorker, The New York Times, and (presumably) Harper’s — and the books these publications endorse — it seems a little silly to be shocked at the lack of poems that attempt to seriously challenge arrangements of power or revolutionize the way humans think. Remember: Walt Whitman self-published Leaves of Grass! It’s not unimaginable to think that the most potent verse resides in a digital file on the servers of CreateSpace. Fame, even literary fame, is still simply fame, not a categorical claim on a work’s quality or impact.”

Golden sun has reason to defy!

The sun came out as yellow in the sky
Golden like a giant lemon pie
I feel so happy, I will not ask  why

Do we need a season’s alibi
Glinting sun will calculate no pi
The sun came out as yellow in the sky

The acers burn and  they are never dyed
Golden sun has made me see allies
I feel so happy, I don’t know quite why

Logic and its rules do not apply.
Golden sun has reason to defy!
The sun came out as yellow in the sky

If we live, it follows we will die
There was never pi in any sky
I feel so happy, I don’t wonder why

Sometimes the whole world seems set awry
Especially if you are a trapped house fly
The sun came out as yellow in the sky
I feel so happy, I’m a living guy.

Descry

TrappedFlyhttps://www.merriam-webster.com/word-of-the-day


Definition

1 : to catch sight of

2 : find out, discover

Examples

In their research, the psychologists descried an association between violent crime and hot weather.

“Recent construction work on the Borough side had uncovered a cache of human bones. Builders soon reported strange noises and moving objects, and some refused to work. A visiting medium claimed to descry hundreds of tortured souls, including the shade of Guy Fawkes.” — Matt Brown, Time Out, 20 Feb. 2008



Did You Know?

With descry and the more common decry (“to express strong disapproval of”), we have a case of linguistic double-dipping. That is, English borrowed from the same French root twice. Both words ultimately come from the Old French verb decrier, meaning “to proclaim” or “to decry.” English speakers borrowed the term as descryin the 14th century and used it to mean “to proclaim” or “to spy out from a distance” (as a watchman might), and eventually simply “to catch sight of” or “discover.” Meanwhile, in French, decrier itself developed into the modern French décrier (“to disparage, to decry”). English speakers borrowed this word as decry in the 17th century. Be careful not to confuse descry and decry. They may be close relatives, but in modern English they have distinct meanings.

A mournful saxophone and heap of stones

Oh Swedish dramas fill the screens again
Furniture of birch  where murder hides
The end of summer and the evening sun

Men and women blond and equal stand
No gap at all and yet it is too wide
Those Swedish dramas fill the screens again

A mournful saxophone and heap of stones
When shall we see once more the bartered bride?
The end of summer and the evening sun.

As from the tomb, the murder victim rose………
Jesus Christ! His hands were open wide
Those myths and dreams will fill the screens  of man

Soon the epic Europe scheme disclosed
As the visions and the words elide
The end of summer and the evening’s done

Why was love not love but hate disguised?
Infernos red now burn the Nazis’ eyes
Yes, Europe’s dramas fill the screens again
The end  is nearer  than the evening sun

In Western nations civilised, insane

From the vulnerable God. this Jesus came
To know and love his creatures here on earth
He has no power; he shares our human pain

The tortured, weak and lost are his, he claims.
For he has suffered, died  without much worth
From the vulnerable God. a Christ has come

In silence and despair and shattered dreams
The souls of those who torture  negates birth
Not all powerful,  yet god shares our pain

While in the nations civilised, insane
Our  greed, our lies, our cruelty are a curse
Through a wounded God. a good man  came

In certain states of mind, prayer has no aim
Deep within the dark, hope comes to birth
God is with us, voiceless  burning, maimed

Cain and Abel, brothers  linked  by death
Today, that murder rises, is surpassed
From the broken god., this Jesus came
Human, suffering,  he too feels this pain.

Arched like a fallen moon

 

old man,bending over,
arched like a fallen moon
in a dark lilac November sky.
joy and pain wrestle my heart across the emptiness
and toss it up like a damp rocket
to fall in a hidden corner where mice live.
would that not be a good ending, to be dust
to these little creatures nesting
in my chewed green twine and my tartan basket?
They have eyes and shiver in my hand when I rescue them
from the cat…
as any heart might.
now night falls on the newspaper basket
where the damp Times and the Guardian mix into glue
and tomorrow the sun will rise
and it will just be  garbage
with no poetic undertones nor deathly hushes.
in the heather lit by silver light
you stand on a hilltop like a god
looking over his domain.
strong and now weak
it’s the human condition
everlasting life is too dangerous for  mankind.
silent, motionless, home of beetles
bit by bit we fall away
into the mother soil
with cracked jugs and dropped coins
for a future academic to dig into.
a transparent hand touches me.
who are you?

Lucian Freud .. a tribute

Life and death opposed,
Drawn to and by this prolific genius.
Pictures fell from his eyes,
Like tears.
Children given life.
Creating as he could,
An England richer by his gifts.
Where else might he have given so much?
The work became the man.
Portraits rising from the canvas
To meet in a new space
That he discovered.
And after loss, the gift.

Don’t start thinking

The cat is watching you

When Mary was coming downstairs  she realised she had lost weight.Her skirt was slipping down
.Oh,dear, she said to Emile, I hope it  is not unwearable.
Don’t worry,said Emile.You can put a  pin into it

She replied tactfully,yes I will when I get to the bottom of the stairs but before Mary. got to the bottom her skirt fallen off completely and she was only wearing a brown silk petticoats and a pair of teal coloured tights.
You look nice Emile said. Maybe you don’t need to wear a skirt you  can wear  a  petticoat instead,
Thank you very much, said Mary but the weather is very cold and a silk petticoat is not warm enough for going into the town although I suppose I could put a very warm long coat over the top. Suppose I went into a restaurant and felt too hot then I would have to take off my coat and then everybody would see my petticoat.
Life is made up of Conundrums like this and the secret is not to start thinking this way in the first place; once you do this is very hard to stop.
Some of Mary’s friends say to her. Are you sleeping alright or how are you sleeping?
Mary never answers because she knows that if you start thinking about that this a lot it’s not good for you as you can spend all day worrying about whether you are going to be able to sleep that night.
We have no control over our sleep, she pondered, but we can’t afford to ruminate  as it causes mental illness .Rumination cuts people off from the world as they are always looking inside themselves.
Similarly being a perfectionist is very bad for you because again you’re not thinking about the work that you’re producing and  enjoying it you are always wondering is this good enough or shall I start again oh I am so stupid etc
It is possible ,Mary has found,  to control what you allow yourself to think about.You can cut you thought off before it gets going.
Anything that makes you keep thinking about yourself all the time will create a wall around you.Other people can detect this wall; it makes them avoid you.
In general, we should have a few  walls as possible both internal and external
Just then the doorbell rang. it was  Annie the ex-mistress of Mary ‘s husband Stan.
Hello she cried, how do you like my new coat
Don’t tell me you’ve got another one, Mary  sighed
I didn’t buy it Annie murmured. That  sweet lady who lives opposite told me that she has put on a lot of weight and she can’t wear this  anymore; she asked me if I would like it
But you have already got about 20  Mary said, but I like this one.It’s a lovely colour; is it what we call teal or is it Kingfisher Blue?
I don’t know but it seems to match my other clothes and you know I do like a change.You prefer just to have one coat and wear it all the time unless you are going out to your special functions, hen you might wear your  best coat, which is the brown one isn’t it which Stan used to like because he said it hung well
Yes, he did like that very much and I was wearing it only yesterday as it is very warm. I would like to have more clothes like you do but I seem to be too busy to go shopping
Annie gazed up with her large round eyes upon which she was wearing turquoise and magenta eyeshadow and bright blue mascara which clashed with her purple lipstick from East Saint Lawless.
That purple lipstick  does not match your coat nor your eyeshadow Mary told her
Well , I think that a perfect costume puts men off.So it’s better to do something wrong and anyway, a lot of men are colour blind so they won’t know that it’s the wrong shade of lipstick. I think that coral would look better and I shall buy some next time I go into the term because teal and coral look very nice together.Purple is good with blues
Actually, Mary said , purple makes you look as if you’ve got heart disease or anaemia.
Thanks a lot, shouted Annie. What kind of friend are you
I am an honest friend ,Mary replied in a warm voice.I think that I don’t often say things which distress you but sometimes knowing that you would like to meet another man I  feel impelled to give you my point of view.
That’s very kind of you said Annie but I think now I am too old to find a man who wants a mistress because a younger man could get a younger mistress and an older man maybe past bothering about mistresses and love and such things.And where can I find one, anyway.
I don’t agree, said Mary I think if you look very nice a man may be very proud to take you out and have you hanging from his arm like a trophy even if he is not able to proceed very far with bodily love. After all, everybody likes someone to talk to and  some companionship; someone to help them out when they are feeling unwell
As long as that is it is mutual I don’t see anything wrong with it.
The two women stared out of the window and saw a wood pigeon on the shed.Maybe it’s better to be a bird, Mary thought aimlessly before she put  on the kettle for a lovely cup of tea and some chocolate fingers
Tea is the best drink in the afternoon.
And so say all of us.

How poetry can change lives

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http://www.telegraph.co.uk/culture/books/poetryandplaybookreviews/9020436/How-poetry-can-change-lives.html

 

“There are poems that have, literally, changed my life, because they have changed the way I looked at and listened to the world; there are poems that, on repeated reading, have gradually revealed to me areas of my own experience that, for reasons both personal and societal, I had lost sight of; and there are poems that I have read over and over again, knowing they contained some secret knowledge that I had yet to discover, but refused to give up on. So, at the most basic level, poetry is important because it makes us think, it opens us up to wonder and the sometimes astonishing possibilities of language. It is, in its subtle yet powerful way, a discipline for re-engaging with a world we take too much for granted.

When the purveyors of bottom-line thinking call a mountain or a lake a “natural resource”, something to be merely exploited and used up, poetry reminds us that lakes and mountains are more than items on a spreadsheet; when a dictatorship imprisons and tortures its citizens, people write poems because the rhythms of poetry and the way it uses language to celebrate and to honour, rather than to denigrate and abuse, is akin to the rhythms and attentiveness of justice. Central to this attentiveness is the key ingredient of poetry, the metaphor, which Hannah Arendt defined as “the means by which the oneness of the world is poetically brought about”. It’s that power to bring things together, to unify experience as “the music of what happens”, that the best poetry achieves.

Most of us feel that this is true of the great dead poets society of history, of Shakespeare and Milton, of Coleridge and Shelley and, of course, of TS Eliot, an American who re-envisioned and so renewed and enriched our idea of England. Yet I would argue that poetry is, or can be, as central to our experience now as it has ever been. To read “I Am Your Waiter Tonight And My Name Is Dmitri”, by the great contemporary American poet, Robert Hass, at the height of George W Bush’s xenophobic repudiation of “Old Europe”, was to be reminded not just of the injustice and futility of war, but also of the very richness and complexity of history that Bush sought to expunge.”

Jules Henry on infinite need

33nsoc
Human beings have the capacity to learn to want almost any conceivable material object. Given, then, the emergence of a modern industrial culture capable of producing almost anything, the time is ripe for opening the storehouse of infinite need!… It is the modern Pandora’s box, and its plagues are loose upon the world.