In the West Pennines

https://www.theguardian.com/travel/2021/jun/29/skylarks-sunshine-solidarity-winter-hill-lancashire-mass-trespass-west-pennines

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The north is a closely knit, indigenous, industrial society,” he said. “A homogeneous cultural group with a good record for music, theatre, literature and newspapers, not found elsewhere in this island, except perhaps in Scotland.” He added, with a wry smile, “And, of course, if you look at a map of the concentration of population in the north and a rainfall map, you will see that the north is an ideal place for television.”

Rivington Pike Tower, Lancashire, UK.
Rivington Pike Tower. Photograph: Alamy

The mast is only a little higher than three older landmarks. Most walkers catch their breath at the Grade II-listed Rivington Pike Tower, built as a hunting lodge in 1733 on the site of an older beacon. Another focal point, a little further down, is the Pigeon Tower – built by William Hesketh Lever (aka Lord Leverhulme) as a birthday present to his wife, Ellen. The tower and the terraced gardens it overlooks were part of Lever’s private estate, landscaped by Thomas Mawson between 1905 and 1925.

The third landmark, the Two Lads Cairn, is a pile of stones on Crooked Edge Hill, large enough to resemble a tower from certain angles. Conflicting legends say the lads were two Saxon princes, two sons of a bishop, or two children employed at a mill.

If the summits of our more celebrated peaks have a generally middle-class atmosphere – the technical gear, the smart gizmos, the “hydration” drinks – the top of Winter Hill felt everyday, multi-generational, multi-ethnic and communal. This was especially fitting, given the hill’s role in our nation’s rambling history.Pigeon Tower, which was built by William Hesketh Lever (aka Lord Leverhulme). Photograph: Ruaux/Alamy

In August 1896, Colonel Richard Henry Ainsworth, scion of a wealthy family that had made its fortune in the bleaching trade and resident of Smithills Hall, decided to close a well-used track that crossed his land on the south-east slope of Winter Hill. His business’s reliance on the hill’s watercourses had perhaps given him a proprietorial outlook. Moreover, he regarded walkers – whether tramping to work or heading up there for a breath of clean air after a week’s slog in factory, mine or mill – as unwanted intruders on land he used for grouse-shooting. He had his gamekeepers turn people back and build a gate on Coalpit Road to show the way was closed. A melee ensued, but the colonel’s private army was no match for the great mass of demonstrators

Local people took umbrage at Ainsworth’s decision. Cobbler Joe Shufflebotham, secretary of Bolton Social Democratic Foundation, advertised a march up the disputed road, which won support from journalist and Liberal party radical Solomon Partington. On Sunday 6 September 1896, about 10,000 people joined in the march as it progressed along Halliwell Road through a densely populated working-class district, and up the hill track. A handful of police and gamekeepers were waiting for them at the new gate. A melee ensued, but the colonel’s private army was no match for the great mass of demonstrators; the gate was smashed and the procession continued. When the victorious party arrived at their destination, Belmont, on the north side of Winter Hill, they drank the hostelries dry.

The Bolton Journal reported that “the multitude far exceeded what had been anticipated … the road was literally a sea of faces and the multitude comprised thousands of persons of all ages and descriptions”. During that fervid September, there were three weekend marches and one on a Wednesday, the only day shopworkers were free to join. There was a further march on Christmas Day.

Despite the numerical success of the popular uprising, Ainsworth had writs issued against Shufflebotham, Partington and others. The marches were stopped while the case was heard in court. The colonel won, leaving the marchers to bear the costs. The tail of the trial was long: though locals were able to use the path from the 1930s, it wasn’t until 1996 that public access was formally secured.

The massed march (the walkers wouldn’t have thought of it as a “trespass”) of 1896 has never been accorded anything like the attention given to the 1932 march up Kinder Scout, led by Manchester communist Benny Rothman, which is usually credited with leading to the creation of the UK’s national parks.

“Although the march was a massive event, it was very local, only involving people who lived within two or three miles,” says Bolton-based historian and author Paul Salveson, an expert on the Winter Hill events. “That, and the fact they lost the case, might explain why it’s not better known, though it did lead to greater awareness about rights of way in the Bolton area. The first world war led to the slaughter of many of the participants and brought the curtain down on so many working-class activities. When I met Benny [Rothman] for the Kinder Scout 50th anniversary in 1982 he had never heard of Winter Hill.”

View of landscape around Rivington Pike. Photograph: Alamy

Paul has written a book about the march and was involved in commissioning a play for the first commemoration, back in 1982. His most recent publication, Moorlands, Memories and Reflections, celebrates the countryside writing of dialect writer and radical thinker Allen Clarke, who wrote about the march and penned the stirring song about the Winter Hill protest, Will Yo’ Come O’ Sunday Mornin’?

A memorial stone to the marchers stands on Coalpit Lane. But, unless you go looking for it, you could walk for miles around without seeing any record of the historic clash. Just as most drivers ignore Winter Hill, so many walkers miss the glorious story of their recreational space.

This year – the 125th anniversary of the march – things might at last be about to change. Bolton Socialist Club, the Ramblers, the Woodland Trust, housing association charity Bolton at Home and other community organisations and unions have joined forces for a commemorative march along the original route for the weekend of 6 September. Folk singer Johnny Campbell is releasing a single for the occasion. There’s even talk of a new memorial, to be built by a local quarrying company.

“The events of 1896 showed how important the countryside was to working-class people in the north,” says Salveson. “It still is. This year’s celebration of those momentous events 125 years ago isn’t just a reminder of Britain’s biggest-ever rights of way demonstration. It’s intended to be a rallying call that the countryside is still under threat, with rights of way being eroded and inappropriate development threatening the landscape.”

• Join in the 125th anniversary events via Facebook

When It’s Safe to Exercise After Getting Sick | NYU Langone News

“Cardone recommends staying well hydrated, eating a balanced diet, and avoiding overexertion. After being sick, listen to your body, rest when you need it, and ease your way back into your normal workout routine, he says. It may take a few weeks for you to get back to your usual intensity and duration, so be patient.” https://nyulangone.org/news/when-its-safe-exercise-after-getting-sick#:~:text=Cardone%20recommends%20staying%20well%20hydrated,and%20duration%2C%20so%20be%20patient.

Suddenly flying

I know that’s how death will come,
Suddenly flying into another orbit when I am photographing flowers
It’s not a gentle transition.
No-one will know where I’ve gone.
One step wrong and I’m off the high wire
And plunging into the no safety net.
Flying for a while
Jumping into hyperspace,spinning electrons
Startle my wide eyes.
Transiting the new black sun
I’m on a double gold helix,
Spider on her web,
Knitting furiously
Into the future heaven on gossamer wings.
Butterfly goodbye,
I’m off to see the stars.
And the black holes.
No one will come with me.
I’m shaking off,evaporating into mist.
I’m a flying saucer on a circus mission.
I can’t say no to a new invitation.
Make it fast and break with tradition.
Time is passing smoothly till that break In the music,
I’ve been transmuted into a different key
someone else will play me on their violin
I’m a tune, I’m a thought, I’m a whisper in your vision.
Goodbye,darling.
I’m under orders Ready to leave for my performance
On the electric carpet.
Death dancing to a tune on a violoncello,
Arpeggionne sonata
I’m playing your words upside down
In a new foreign translation,
Accompanied by solo artists,ice cracking
I’m going in.
It’s too sudden.
I’m flying.
Spinning faster to amuse the clowns,
too many ups and no downs.
I’m going right out of orbit
I’ve broken the pull of gravity,
And fly with pure equanimity
Into my future life,
I’m off at some moment
An instant,a crack,a loud smack
That was me passing