Floating flames

Cleveland Hills  on  the edge of cliffs we lay
In heather deep where bees   flew fast as flames
And the  wild, wild flowers and the butterflies at play
In  Cleveland Hills  on the edge of  cliffs we lay
If I could go back  would you come to stay
Where the scents’s  so  rich it pulls  love down again
Cleveland Hills  on the edge of  cliffs we lay
In heather deep,  in love we burn like flames

Why does the New Year start at the darkest  time of all?

Why does the New Year start at the darkest  time of all?
When the stars are gleaming  more than the sun can  shine all day
And the heart lashed to the lost and loved  resents death’s wall
Why does the New Year start at the darkest  time of all
When the speedy Tees from High Force  frozen  falls
When I see in dreams   your  face as the  white flowers  down I lay.
Why does the New Year start at the darkest  time of all?
When the stars are gleaming  more than the sun can  shine these days

 

Geoffrey Hill

closeup photo of brown brick wall
Photo by ShonEjai on Pexels.com

https://www.poetryfoundation.org/poets/geoffrey-hill

Extract:

“Known as one of the greatest poets of his generation writing in English, and one of the most important poets of the 20th century, Geoffrey Hill lived a life dedicated to poetry and scholarship, morality and faith. He was born in 1932 in Worcestershire, England to a working-class family. He attended Oxford University, where his work was first published by the U.S. poet Donald Hall. These poems later collected in For the Unfallen: Poems 1952-1958 marked an astonishing debut. In dense poems of gnarled syntax and astonishing rhetorical power, Hill planted the seeds of style and concern that he cultivated over his long career. Hill’s work is noted for its seriousness, its high moral tone, extreme allusiveness and dedication to history, theology, and philosophy. In early collections such as King Log (1968) and Mercian Hymns (1971), Hill sought “to convey extreme emotions by opposing the restraint of established form to the violence of his insight or judgment,” according to New York Review of Books critic Irvin Ehrenpreis. “He deals with violent public events… Appalled by the moral discontinuities of human behavior, he is also shaken by his own response to them, which mingles revulsion with fascination.””

Parties: A Hymn of Hate Dorothy Parker, 1893 – 1967

I hate Parties;
They bring out the worst in me.

There is the Novelty Affair,
Given by the woman
Who is awfully clever at that sort of thing.
Everybody must come in fancy dress;
They are always eleven Old-Fashioned Girls,
And fourteen Hawaiian gentlemen
Wearing the native costume
Of last season’s tennis clothes, with a wreath around the neck.

The hostess introduces a series of clean, home games:
Each participant is given a fair chance
To guess the number of seeds in a cucumber,
Or thread a needle against time,
Or see how many names of wild flowers he knows.
Ice cream in trick formations,
And punch like Volstead used to make
Buoy up the players after the mental strain.
You have to tell the hostess that it’s a riot,
And she says she’ll just die if you don’t come to her next party—
If only a guarantee went with that!

Then there is the Bridge Festival.
The winner is awarded an arts-and-crafts hearth-brush,
And all the rest get garlands of hothouse raspberries.
You cut for partners
And draw the man who wrote the game.
He won’t let bygones be bygones;
After each hand
He starts getting personal about your motives in leading clubs,
And one word frequently leads to another.

At the next table
You have one of those partners
Who says it is nothing but a game, after all.
He trumps your ace
And tries to laugh it off.
And yet they shoot men like Elwell.

There is the Day in the Country;
It seems more like a week.
All the contestants are wedged into automobiles,
And you are allotted the space between two ladies
Who close in on you.
The party gets a nice early start,
Because everybody wants to make a long day of it—
They get their wish.
Everyone contributes a basket of lunch;
Each person has it all figured out
That no one else will think of bringing hard-boiled eggs.

There is intensive picking of dogwood,
And no one is quite sure what poison ivy is like;
They find out the next day.
Things start off with a rush.
Everybody joins in the old songs,
And points out cloud effects,
And puts in a good word for the colour of the grass.

But after the first fifty miles,
Nature doesn’t go over so big,
And singing belongs to the lost arts.
There is a slight spurt on the homestretch,
And everyone exclaims over how beautiful the lights of the city look—
I’ll say they do.

And there is the informal little Dinner Party;
The lowest form of taking nourishment.
The man on your left draws diagrams with a fork,
Illustrating the way he is going to have a new sun-parlour built on;
And the one on your right
Explains how soon business conditions will better, and why.

When the more material part of the evening is over,
You have your choice of listening to the Harry Lauder records,
Or having the hostess hem you in
And show you the snapshots of the baby they took last summer.

Just before you break away,
You mutter something to the host and hostess
About sometime soon you must have them over—
Over your dead body.

I hate Parties;
They bring out the worst in me.

The  grieving long ,through woodland wild, to roam

The  walls collapsing inwards as I ran
Making chaos of the once loved home
I feared to look  or write with my dear pen

By two created, now remains just one
And as I sat I heard my own voice moan
My  walls collapsing inwards, I was done

Yet now the  fighting and the sorting won
I’m feeling joyful as I labour on
I feared to look,  or write with my dear pen

From all  the suffering ,mourning , the mayhem
The  grieving long through woodland wild to roam
Not to see  that Jericho has come

Who shall grieve the least, the lion, the lamb?
Is there competition in our groans?
The   walls are   cracking    like  old window panes

Human hearts feel like cold wet limestone
When we weep they soften like old bones
I felt the walls collapsing inwards  killing men
I dared to look ,I saw my  love  was gone