The chiropodist said she liked my feet.If only we could unscrew them, she could replace mine.
I found  the flu jab  less painful than seeing the government squabble
It´s best to think of what we can still do,not what we can´t
Does reading  about Brexit make one go blind?
The pharmacist said I was the only person willing to obey the  instruction to sit  down for 10 minutes after the jab.Such a rushed life

https://www.spectator.co.uk/2007/02/poetry-and-music/

Beginning:

The great lyric poets of the English language wrote — and, I hope, are still writing — words which have their own melodic quality, cadences which lure composers to add music to them. Shakespeare, Herrick, Blake, Tennyson, Burns, Yeats have been set to music by numerous composers, creating a lasting heritage of English song. A smaller but intriguing category is poetry that is not turned into song but is spoken to music. Grand master of this compositional genre is Jim Parker.

‘I was an orchestral oboe player,’ he says, ‘but I was always wanting to get away from that and do something a bit more creative so I joined the Barrow Poets, as an oboist and possibly to do some arranging. It developed from there when I started composing music specially for them. There were other groups of poets and musicians around, like the Scaffold, Roger McGough’s band, but they were writing songs. We set poems to music but we  didn’t really do songs because none of us could claim to have been a singer.’

In 1974, as a result of this, he was asked to write music for some poems by John Betjeman, to be read by the poet himself. And the fruit of that collaboration was the wonderful Banana Blush. ‘I didn’t think Betjeman could sing,’ remembers Parker, ‘so what I did was to write music that accompanies the words.