
Luminous


https://www.huffingtonpost.com/john-lundberg/why-dont-poems-rhyme-anym_b_97489.html
“Most contemporary poets take a mixed stance on free verse versus formalism. There’s a general feeling that metrical, rhyming verse strikes the ear little too harshly these days, but poets haven’t abandoned form altogether. Poets make use of subtler techniques like internal rhyme (rhyming within, rather than at the end, of lines) and slant rhymes (words that almost rhyme like “black” and “bleak”). Most poets still write with a music, but it’s far more varied (and usually more subtle) than music typical of traditional verse.
I think most poets would also agree that you don’t have to use rhyme and meter to write a great poem. Take the well-known word-thing This Is Just to Say by William Carlos Williams.
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
If that doesn’t protect “the beauty and precision of the English Language,” I don’t know what does.
Still find yourself a fierce proponent of poetic purity? You’re welcome to join the QES at the New Cavendish Club in London every other Thursday. And who doesn’t enjoy a brisk debate about grammatical standards! Trust me, one might ensue. The QES’s wikipedia entry—and I guarantee you they are all over their wikipedia entry—states “a commitment to standards should not preclude the possibility of grammatical change; nor does it mean, however, that change should be mindlessly celebrated for its own sake.”
Mindless celebrating! Dare they forget how they got booted from Old Cavendish!
We are little leaves upon the tree We never did control our tiny worlds The tree of life; what power, what mystery With metaphor, it’s easier to see Life is tender, see each leaf unfurl We are only leaves upon the tree Singing in the sun we seem to be Full of joy until the storm winds swirl The tree of life; what power, what mystery Extinguished candles smoke at Tenebrae We are blown to death however bold We are little leaves upon the tree Thus we sacrifice to God uncertainly Yet as the wars continue, we grow cold The tree of life; what power, what mystery Who has dropped us from the hands that hold? Who has stolen certainty untold? We are little leaves upon the tree The tree of life; what power, what mystery
Jim Brown was in his new conservatory admiring the windows he had just
Thought, the vision of the inner eye,
Peers behind the mask of mundane view
A choosing from the symbols that come by
So into meaning, many words are fused
Thought to me is, vision without words;
Needs silent presentation and review.
The words translate the images that surge
Then fall back to the ocean where they grew.
Like coloured visions of the deep sea bed
Where fishes reel and dance, where life is new.
What we mean with difficulty’s said
Yet evocation summons it to view.
Let my words evoke love deep in you;
Answer me with texts and Bibles new.
The night came down in clouds of purple-grey
Though when I was outside it still seemed light
Is this real, my instinct seemed to say.
I saw a Jew in Hotters where he prayed
His skullcap black, his face was very white
The night came down in clouds of purple-grey
He held an ancient prayer book turned my way
He looked relaxed yet I was in his sight
Is this real, my instinct seemed to say
I stood, as seeing women may delay
The mood of meditation, be a blight
The night came down in clouds of purple-grey
I did not walk to him and loudly say
May I take your photo here tonight
Is this sense, my mind looked for delay
For where is David, proud as Cohen wrote
Where Solomon the wise, where his insight?
The night came down in clouds of purple-grey
Where is Noah ,for the flood’s in play