Sin may be invisible,  though real
Who  of us can judge another’s heart?
Admission of our faults has small appeal

Yet if we do not look behind the veil
We may kill .unknowing in the dark
Sin may be invisible,  though real

Walking onwards on our human trail
What ignites the spirit,holds the spark?
Admission of our faults has small appeal

 When we  don’t perceive, we duly fail
We have choices , they are here and stark
Sin may be invisible,  though real

We are weak , poor human acts prevail
Will alone can never  do what’s right
In the seas of love we set our sails

We buy ourselves the best place in the Ark
Our neighbours wrangle.struggle in the dark
Sin  becomes more  visible and real
Holding wide our arms we  hope love heals

This week on Who Do You Think You Are is Her Majesty  The Queen
Discover: The strange foreigners who rule the remains of the UK

And University Challenge  has been cancelled as they are all online following Johnson
Or The Pied Piper of Westminster as I call him

Desert Island Discs is  looking for a gramophone
Meanwhile use your phone

The Catholic Church hopes for more  vocations as people flee  life on  so called “benefits”

Discuss it all with the ghost of  Pope John 23rd  at 6 pm. He is in heaven.But it’s hell

The News is not being shown  till the day after it happens
Is it news?

Noone wants Boris more than Leonard Cohen
Well who could compete with Eliezer ha Cohen?~
How many meanings does that sentence have?

I took some photo of Leonard Cohen’s Joan of Arc  song.This is one

https://www.bbc.co.uk/news/education-49131685

Extract:

Child poverty cash handed back to Europe unspent

https://www.poetryfoundation.org/learn/glossary-terms/postmodernism

Extract:

It includes other 20th-century theoretical movements such as poststructuralism and deconstruction,mainly through a common emphasis on discourse and the power of language in structuring thought and experience. Because it attacks traditional concepts of history, knowledge, and reality itself—arguing that “truth” is culturally and historically specific—postmodernism has often been accused of relativism.

https://www.dictionary.com/browse/glower

Never make a phone cry.
Can they love?
Avoid mobile groans
Sponge yourself down after sinning
Always use a pen  when you scream
Have you got Munch’s screen?
The word nice is overused.Be sparing.Be nasty.Be  yourself
The rod broke the fish’s heart
Being eccentric is now a psychiatric disorder.Ring 999 and ask for Dave.
The nuns used  our rulers to hit our hands when we forgot how to do compound interest
My husband’s eyesight is nothing to write home about.So he doesn’t. I ll kill him
Always eat something green at  dinner.If all else fails, is there a pelargonium in the room? In the window box.
Why not grow your own cress from  seed [ buy it]
Why not turn  into a pillar of salt?
Why not rewrite the Bible in Esperanto? Why?

Mike Flemming copyrigh

https://poets.org/text/sonnet-poetic-form

Extract:

Sonnet Variations

Though Shakespeare’s sonnets were perhaps the finest examples of the English sonnet, John Milton’s Italian-patterned sonnets (later known as “Miltonic” sonnets) added several important refinements to the form. Milton freed the sonnet from its typical incarnation in a sequence of sonnets, writing the occasional sonnet that often expressed interior, self-directed concerns. He also took liberties with the turn, allowing the octave to run into the sestet as needed. Both of these qualities can be seen in “When I Consider How My Light is Spent.”

The Spenserian sonnet, invented by sixteenth century English poet Edmund Spenser, cribs its structure from the Shakespearean—three quatrains and a couplet—but employs a series of “couplet links” between quatrains, as revealed in the rhyme scheme: abab, bcbc, cdcd, ee. The Spenserian sonnet, through the interweaving of the quatrains, implicitly reorganized the Shakespearean sonnet into couplets, reminiscent of the Petrarchan. One reason was to reduce the often excessive final couplet of the Shakespearean sonnet, putting less pressure on it to resolve the foregoing argument, observation, or question.

Photo by Maria Jose Bueso on Pexels.com

Never finish a sentence without  ending it all
Never write too clearly; post structuralism gapes.
Never begin a sentence without a word
Never end  one with but.
Never free associate in writing  nor in speech
Never take  a horse to  bed.
Never mention Adam Phillips unless in  the LRB
Never be  over-cautious.
Never end a word with a letter.
Never give your name to the papers
Never menstruate during working hours
Never fall in love with a duck.
Never pass water.Have a drink.
Take a random sample of  your dreams to  the OUP
Never cut your own hair while typing
Never believe anything you read.

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“Do not protect yourself by a fence, but rather by your friends.”

Czech proverb